Tag Archives: Schuback¸ Paul

Paul Schuback

Schuback Violin Shop, Inc

When not building violins and cellos, Paul Schuback has amused himself by serving in Portland civic politics, riding his BMW motorcycle, and restoring old cars. His latest love is a 1956 British Land Rover with a factory-original fire engine conversion that he and his son picked up in Ireland.

▪ bio current as of 2001

An American in Mirecourt, Part Two

2001
AL#65 p.10   BRB6 p.82            
Paul Schuback                                                                                           

▪ Schuback learned violin making in a small shop in France during the ’60s. This segment of his 1995 convention workshop lecture covers completing the plates and fitting the neck, fingerboard, nut, and soundpost to the body. There’s lots of local French color, old tools, and old ways presented here, as well as a bit of how the violin has changed since the days of the first Italian masters. Part One appeared in AL#63. With 33 photos, a diagram, and a sequence chart for building a violin.

This article has been nominated as one of the Guild’s fifty best articles published before 2010.

An American in Mirecourt

2000
AL#63 p.20   BRB6 p.82            
Paul Schuback                                                                                           

▪ This piece would be important just as an historical document of Schuback’s apprenticeship to a French violin maker in the early ’60s. The inclusion of his current shop practices and building methods makes it an article that everyone interested in the violin should read. With 33 photos and 5 diagrams.

This article has been nominated as one of the Guild’s fifty best articles published before 2010.

The Paul Schuback Story

1987
AL#9 p.6   BRB1 p.304            read this article
Paul Schuback                                                                                           

▪ In this fascinating lecture from the 1986 GAL convention Schuback speaks of his apprenticeship to a French violin maker in 1962, then goes on to offer details about instrument construction, wood, and a Q&A session.