Tag Archives: Rayman¸ Kent
Questions: Fretted Bass Neck Dead Spots
1993
AL#33 p.59
Ken Warmoth Kent Rayman
▪ Dead spots on fretted bass necks.
Questions: Electric Solidbody Bass
1991
AL#26 p.54 BRB3 p.472
Kent Rayman
▪ Building an electric solidbody standing bass similar to the Clevinger upright electric bass.
Making Bridges Using Power Tools
1982
DS#204 BRB2 p.289
Kent Rayman
▪ The author uses a table saw and no jigs to help speed up the creation of classical guitar bridges. With 5 drawings.
Removing Dovetails-Two
1982
DS#211 LW p.120
Kent Rayman
▪ Steam out the neck with a pressure cooker. With 1 drawing. See the previous article and the next article.
Fluorescent Inspection Lamp
1979
DS#119 LT p.6
Kent Rayman
▪ This lamp even fits through f-holes.
Meet the Maker: Robert Lundberg
1978
GALQ Vol.6#1 p.10 BRB2 p.78
Kent Rayman Aggie Rayman Robert Lundberg
▪ Lundberg is a classic example of a man who couldn’t fit into any of the slots society tried to force him into, yet who went on to become an important individual in his field. Lute players of the world couldn’t be happier about it. With 4 photos.
This article has been nominated as one of the Guild’s fifty best articles published before 2010.
Brace Jacks
1977
DS#47 LT p.59
Kent Rayman
▪ Used inside the guitar while gluing braces or to support the top for bridge work.
Balanced Steel Drum Variation
1977
DS#48 LT p.73
Kent Rayman
▪ Again, this is a variation in the Ruck-Brune sander. You need to read all these articles before beginning construction of your sander in order to avoid mistakes that others have already made.
Kent Rayman Reviews the Carmel Classic Guitar Festival
1977
GALQ Vol.5#2 p.4
Kent Rayman
▪ A basic outline of who was at the festival and what was shown in the way of handmade guitars.
An Interview with Jeffrey R. Elliott
1976
GALQ Vol.4#3 p.6
Kent Rayman Jeffrey-R. Elliott
▪ Elliott discusses his teacher Richard Schneider, opening his own shop in Michigan, and classical guitars.
Vise Accessories
1977
DS#47 LT p.59
Kent Rayman
▪ Taper attachment and protective jaws.
Alexander Illitch Eppler
1976
GALQ Vol.4#1 p.8
Kent Rayman Alexander-I. Eppler
▪ Seattle-born Alexander Illitch Eppler is an established virtuoso, and a maker and player of balkan end-blown flutes.