Tag Archives: Lyman Jr.¸ Frederick C.

Frederick C. Lyman Jr.

Read Fred Lyman’s memoriam

Retired bass maker Fred Lyman has had articles published by the Guild in the ’70s, ’80s, ’90s, and now the ’00s. He’s a thirty-three-year GAL member and a Convention presenter. And he’s the champion of all Guild Benefit Auction donors, having donated hundreds of items beginning with our first auction in 1984. Fred passed away in 2012

▪ bio current as of 2009

Restoring a Church Bass

2009
AL#98 p.34               
Frederick-C. Lyman-Jr.                                                                                           

▪ There’s not a lot of detail to this piece, but there’s nice story telling and some philosophy to live by. Lyman has been involved in the bass world since before the GAL, and whatever he has to say about it is important (and usually fun). With 3 photos.

Letter to the Editor: Sloane Bass Tuners

2001
AL#66 p.3               read this article
Frederick-C. Lyman-Jr.                                                                                           

▪ Longtime GAL member Fred Lyman tells of the conversation that got Irving Sloane interested in making bass machines. Fred also gives a quick overview of his life in lutherie and wishes more lutherie info had been available to him in his youth.

A Survey of Seventeen Luthiers

1990
   LT p.114            
Steve Andersen   Chris Brandt   R.E. Brune   Ted Davis   Jeffrey R. Elliott   James Flynn   Bob Gleason   Hideo Kamimoto   Robert Lundberg   Frederick C. Lyman Jr.   John Monteleone   Robert Ruck   Richard Schneider   Ervin Somogyi   Al Stancel   Robert Steinegger   Janet Toon                           

▪ Seventeen established luthiers were asked to list ten hand tools, five power tools, and five supplies used as tools. This info was used to determine the most essential tools, including specifics, model and size, source, and any special uses.

A Low Cost Bass, Part 2

1991
AL#25 p.14   BRB2 p.430            
Frederick-C. Lyman-Jr.                                                                                           

▪ Lyman continues his crusade for a low-cost, high performance bass viol. Part 1 was printed in the previous issue.

A Low Cost Bass

1990
AL#24 p.30   BRB2 p.430            
Frederick-C. Lyman-Jr.                                                                                           

▪ Lyman builds a bass with a lauan body and a top of quartersawn 2x4s, and is quite pleased with the outcome. There are only 2 photos, but a lot of text. Lyman’s conventional basses are in the hands of many well-known musicians. He certainly knows the difference between good and bad instruments. Part 2 follows in the next issue.

An Experimental Tenor Violin

1989
AL#18 p.36               read this article
Frederick-C. Lyman-Jr.                                                                                           

▪ Lyman not only comes up with a new instrument, but also writes the article as a lesson in problem solving as he worked toward an uncertain goal.

Meet the Maker: Frederick C. Lyman, Jr.

1989
AL#18 p.46   BRB2 p.248            
Jonathon Peterson   Frederick-C. Lyman-Jr.                                                                                       

▪ Lyman is an inveterate experimenter best known for his string basses, a regular American Lutherie contributor, and an interesting thinker.

Our Great Spherical Friend Part Five: An Experimental Bass

1988
AL#14 p.50               
Frederick-C. Lyman-Jr.                                                                                           

▪ Lyman forges ahead in his quest for a cheap but satisfying substitute for the traditional solid wood bass viol. This segment describes an experimental bass made of lauan plywood and 2×4 studs. The results leave him hopeful that he is on the right track.

Improving the Plywood Bass (Our Great Spherical Friend Part Four)

1987
AL#10 p.60   BRB1 p.202            read this article
Frederick-C. Lyman-Jr.                                                                                           

▪ Lyman’s quest is to build an inexpensive but musically useful string bass. In this episode he tries to improve a Kay plywood bass. The results leave him ambivalent but hopeful.

Our Great Spherical Friend Part Three

1987
AL#9 p.39   BRB1 p.196            read this article
Frederick-C. Lyman-Jr.                                                                                           

▪ When an articulate violin-family maker discusses his craft he sounds much like a professional wine taster. Lyman is articulate. This segment of his series deals with plate tuning.

Our Great Spherical Friend Part Two

1986
AL#7 p.43   BRB1 p.196            read this article
Frederick-C. Lyman-Jr.                                                                                           

▪ Lyman offers another philosophical look at lutherie and acoustical physics.

Our Great Spherical Friend Part One

1986
AL#6 p.19   BRB1 p.196            read this article
Frederick-C. Lyman-Jr.                                                                                           

▪ Lyman likens the physical properties of a stringed instrument to those of the earth’s atmosphere (our great spherical friend), and advises us that an understanding of science should underlay our intuitional sensitivities.

In Praise of the Plywood Bass

1985
AL#4 p.48   BRB1 p.148            read this article
Frederick-C. Lyman-Jr.                                                                                           

▪ Lyman champions the use of common materials and low sophistication in the production of serviceable, affordable bass fiddles. Mentions Kay basses and the Richard Ennis design in AL#3.

Bass Crate

1984
DS#273   BRB1 p.254            read this article
Frederick-C. Lyman-Jr.                                                                                           

▪ Lyman created a shipping crate for the bass viol that will take abuse without damaging the bass, which is suspended in the crate without touching any of the walls. With 5 good drawings of crate details. It’s not lutherie, but it might save your instrument.

Violin Society of America

1983
GALQ Vol.11#2 p.24               
Frederick-C. Lyman-Jr.                                                                                           

▪ The violin is a historical entity, an object of a very special and esoteric scholarship, an artifact with extremely subtle and critically variable properties.

Basic Bass Adjustments

1983
DS#257   BRB2 p.450            
Frederick-C. Lyman-Jr.                                                                                           

▪ The rude construction of many basses prevents them from being as subtle an instrument as a violin, but they have their own setup requirements that may not be obvious to the uninitiated. Lyman shares his years of experience with bass creation and repair to help us get the most from any bass, however crudely fashioned or maintained.

Bass Neck Angle Jig

1983
DS#252   LT p.3            
Frederick-C. Lyman-Jr.                                                                                           

▪ Lyman was the GAL’s bass guru for years.

This article has been nominated as one of the Guild’s best articles published before 2010.

Meet the Maker: Victor Gardener

1982
GALQ Vol.10#3 p.16   BRB2 p.158            
Frederick-C. Lyman-Jr.   Victor Gardener                                                                                       

▪ Gardener was an independent sort from Oregon who built closely in the style of the violins of the classic period in Italy. Mentions Hans Weishaar. With 2 photos.

The Piccolo Bass

1980
GALQ Vol.8#1 p.36               read this article
Frederick-C. Lyman-Jr.                                                                                           

▪ A new instrument which fills the gap between the bass and the cello and which can be used in the melodic register but with the tonal density of the bass, rather than cello.

Design Factors in the String Bass

1980
GALQ Vol.8#4 p.8   BRB2 p.52            
Frederick-C. Lyman-Jr.                                                                                           

▪ Lyman has made basses for several contemporary bass luminaries and has decided that they need qualities in the bass that weren’t called for in the past. He offers specific ways to match a bass to the requirements of the player. With one photo of the author.