Tag Archives: Johanson¸ Bryan

Bryan Johanson

Bryan Johanson is an active concert guitarist, composer, and author who taught at Portland State University from 1978. A Professor of Music and past Director of the School of Music, Johanson retired in January of 2016 to pursue composing, performing and writing. His articles and reviews on the guitar have appeared in the top journals and magazines in the field, including Soundboard, Guitar Review, Acoustic Guitar and American Lutherie. His compositions have been published by Columbia Music Company, Edizioni Musicali Berben, Frederick Harris Music Publishers, Guitar Solo Publications, Thomas House Publications, Earthsongs Music Publishers, Mel Bay Publications, Doberman-Yppan and Les Productions d’OZ. The recipient of many commissions, his music has been performed and recorded by the Chamber Music Society of Lincoln Center, Chamber Music Northwest, the Oregon Symphony, the Saint Paul Chamber Orchestra, David Starobin, The Los Angeles Guitar Quartet, David Tanenbaum, the Portland Symphonic Choir, the Turin Philharmonic, the Bologna Orchestra and Third Angle New Music Ensemble. He has won numerous composition prizes, including awards from the Saint Paul Chamber Orchestra, the Aspen Music Festival, the Esztergom International Guitar Festival (Hungary), The Festival of August (Venezuela), the Roger Wagner Center for Choral Studies, as well as multiple awards from the American Society of Composers, Authors and Publishers (ASCAP). Johanson’s music is recorded extensively and appears on record labels such as Albany, Bridge, EMI, GSP, Gagliano Recording, Naxos and Cube Squared Records. In 1999, his critically acclaimed composition Open Up Your Ears for guitar was recorded on David Starobin’s Grammy Award nominated New Dance, and in 2004 his Pluck, Strum and Hammer and Let’s Be Frank were recorded by the Los Angeles Guitar Quartet on their Grammy Award winning Guitar Heroes. Johanson is currently a member of the Oregon Guitar Quartet, which has released seven highly successful recordings. He has also recently been elected to the Board of Trustees for the Guitar Foundation of America.composing, and writing, he directs the Portland Guitar Festival. Current extracurricular activities include running marathons, distance cycling, and learning to play the pipa.

▪ bio current as of 2016

Review: The Diary of Agustin Barrios Mangoré: His Concert Autograph Book by Richard Pinnell and Frederick Sheppard.

2021
AL#143 p.62               
Bryan Johanson                                                                                           

▪ Contains many colorized historic photos of the great virtuoso and an essay on his career, in addition to the complete full-color facsimilie of his autograph book with notes and translations.

Review: Martinez’ Orfeo Magazine

2019
AL#138 p.66               
Bryan Johanson                                                                                           

▪ Orfeo Magazine represents a new idea in marketing. It is free online, or you can buy it as gorgeous coffee-table books of collected issues. Either way, it sure is pretty. Written and photographed by Alberto Martinez, Orfeo Magazine presents one man’s lavishly illustrated pilgrimages into the world of the classical guitar.

Reviews: A Collection of Fine Spanish Guitars from Torres to the Present by Sheldon Urlik

2016
AL#126 p.62               
Bryan Johanson                                                                                           

▪ The second edition of this important book is a considerable advance over the original.

Review: The Century That Shaped the Guitar by James Westbrook

2006
AL#88 p.63               read this article
Bryan Johanson                                                                                           

▪ No, it wasn’t the 20th century, silly. It was the 19th century in which the classical guitar grew up.The reviewer calls this book wonderful, informative, and generous. There is also a CD available of 19th century guitar music played on restored instruments of the time.

Review: Aux origins de la guitare: vihuela de mano by Joel Dugot

2005
AL#82 p.63   BRB7 p.530            read this article
Bryan Johanson                                                                                           

▪ The author really, really likes this history of the vihuela. But you have to read it in the French.

Review: The Vihuela de Mano and The Spanish Guitar: A Dictionary of the Makers of Plucked and Bowed Musical Instruments of Spain by Jose L. Romanillos and Marian Harris Winspear

2004
AL#80 p.59   BRB7 p.526            read this article
Bryan Johanson                                                                                           

▪ The reviewer gushes about the detail and quality of research that went into the book, as well as the authors’ enthusiasm for their subjects.

Review: A History of the Lute from Antiquity to the Renaissance by Douglas Alton Smith

2003
AL#73 p.60   BRB7 p.522            read this article
Bryan Johanson                                                                                           

▪ The reviewer pronounces this book to be “a massive achievement to which the reader can return again and again for information, insights, and pleasure.” A pretty good indication that he found it useful and valuable.

Review: The Classical Guitar: A Complete History edited by John Morrish

1998
AL#53 p.64   BRB5 p.474            
Bryan Johanson                                                                                           

▪ The reviewer finds the book flawed in minor ways but says that it is well worth its price of $75, which is a pretty good recommendation.

Review: Things About the Guitar by Jose Ramirez III

1997
AL#51 p.46   BRB5 p.471            
Bryan Johanson                                                                                           

▪ Though taken aback by the ego of the author, the reviewer decides the book is invaluable to his enjoyment of the guitar. “If you care about the guitar, you should own this book.”