Peter Giolitto is an eight-year GAL member and frequent contributor to the “Worked for Me” column. He informs us that he has recently completed his apprenticeship.
bio current as of 2003
Peter Giolitto is an eight-year GAL member and frequent contributor to the “Worked for Me” column. He informs us that he has recently completed his apprenticeship.
bio current as of 2003
2003
AL#74 p.67 BRB7 p.488
Peter Giolitto
A planing jig expanded from the old trick of inverting a plane in a vise for planing small items.
2003
AL#75 p.69 BRB7 p.490
Peter Giolitto
A self-aligning saw to produce kerfed linings using two cheap identical back saws.
2002
AL#70 p.62 BRB6 p.465
Peter Giolitto
An oak tool used to prepare veneers to the constant thickness required to make the mosaic sections of rosettes and purflings.
2002
AL#69 p.63 BRB6 p.463
Peter Giolitto
A way to plot the contours of the ribs and the back braces as alternative to buying or making a dished workboard for fitting a spherically-arched guitar back.
2001
AL#67 p.40 BRB6 p.260
Peter Giolitto
Scraper planes are good for dressing down figured wood without tearing them up or following the grain. Here’s how to make one. With a photo and 5 drawings.
2001
AL#65 p.65 BRB6 p.456
Peter Giolitto
A method to profile the heads of classical guitars helps achieve a much more accurate shape more quickly than just drawing around a single template and working to the line; instead using shapes of workable metal.
2000
AL#63 p.58 BRB6 p.452
Peter Giolitto
A simple way to make a guitar mold using only hand tools.
2000
AL#62 p.58
Peter Giolitto
A method utilizing a go-bar deck as alternative to gluing on a classical bridge using clamps through the soundhole.
2000
AL#61 p.61 BRB6 p.448
Peter Giolitto
Making a jig to hold guitar necks while carving them.
1999
AL#60 p.51 BRB5 p.503
Peter Giolitto
How the dished form described in AL#58 is used to fit the backs of guitars.
1999
AL#58 p.59 BRB5 p.503
Peter Giolitto
An easy way to make dished forms using plaster to create the dished surface.
1998
AL#53 p.51
Peter Giolitto
A modified Ibex bridge clamp with greater reach and span for classical guitar use.