Long-time GAL member Dan Erlewine is a frequent writer and convention speaker for the Good Ol’ Guild. If you repair guitars, he is your superstar.
▪ bio current as of 2006
Long-time GAL member Dan Erlewine is a frequent writer and convention speaker for the Good Ol’ Guild. If you repair guitars, he is your superstar.
▪ bio current as of 2006
2024
AL#151 p.67
Dan Erlewine
▪ Frank Ford was an icon of the instrument repair field and an overachiever when it came to sharing information with this fellow luthiers. He had legions of friends and fans. Erlewine brought Ford to the GAL Convention, and they became a team which was a fixture at the next several gatherings. Dan takes this moment to praise Frank’s name.
2021
AL#142 p.28
Dan Erlewine
▪ Good ol’ Dan Erlewine is known for finding and spreading efficient new tools and techniques for guitar makers and repairers, as well as for mentoring and promoting young talent in the lutherie field. He’s at it again in this article, as he loosely wrangles a team to consult on the design of a specialized new shop vise.
2020
AL#141 p.3
Dan Erlewine
▪
2018
AL#135 p.16
Dan Erlewine Erick Coleman Chelsea Clark
▪ “Uncle Dan” Erlewine has been a constant presence in the American Lutherie Boom era, because he personifies the can-do ethos that underlies the whole dang movement: figure something out, and tell everybody about it. As a young man hoping to move from rocker to luthier, he found a generous mentor in Herb David of Ann Arbor, Michigan. Dan has paid that forward many times as he has brought young people into his shop and given them a place to grow. Mentions Herb David, Mark Erlewine, Jerry Garcia, Albert King, John O’Boyle, David Surovel, Bryan Galloup, Charlie Longstreth, Tom Erlewine, Gary Brawer, Joe Glaser, Steve Olson, Albert Garcia, Elliot John-Conry, Adam Fox, Exodus Almasude, Johan Powell, Max Feldman, Paul Lampley, Aaron Smiley, Rodrgo Gomez, Chelsea Clark. From his lecture at the 2017 GAL Convention.
2006
AL#85 p.56 ALA1 p.44
Dan Erlewine Tim Shaw Don MacRostie
▪ Every repair person who’s seen generations of Gibson guitars knows that the 24 3/4 inch scale ain’t necessarily so. If you measure from the nut to the 12th fret you get several magic numbers, and you deal with it. But here’s the low-down on why they may have changed and why the number has stayed the same. With 4 photos.
This article has been nominated as one of the Guild’s best articles published before 2010.
2004
AL#78 p.4 BRB7 p.174
Dan Erlewine Frank Ford
▪ A ton of guitar repairs can only be accomplished by reaching through the soundhole. Here, two masters of the genre describe some of their methods a working in the cramped darkness, some of the tools they’ve used and/or created, and the attitude you have to acquire when getting stumped and handing back an unrepaired guitar is not an option. With 32 photos.
1996
AL#45 p.28 BRB4 p.276
Dan Erlewine Frank Ford
▪ This wide-ranging lecture transcription from the1995 GAL convention covers some specific repair techniques, professional ethics, customer relations, pursuing a profit, and vintage instrument repair. Strong advice from two of the best known men in the business.
This article has been nominated as one of the Guild’s best articles published before 2010.
1994
AL#40 p.28 BRB4 p.102
Dan Erlewine Tom Ribbecke Fred Campbell David Howard Sheldon Dingwall Harry Fleishman David Colburn Kathy Currier Will Bremers Jack Langley John Jordan Dana Bourgeois Heidi Spurlin Ken Fallon Dave Schneider Cary Clemments Ron Chacey Bart Reiter Mike Jarvis Greg Hoffman Dave Lindahl Tom Costanza Chuck Erickson Ralph Novak
▪ Repair pricing workshop from 1992 GAL convention.
1994
AL#39 p.36 BRB4 p.72
Dan Erlewine
▪ In the last issue Erlewine described how he made a new “old” Tele body. In this installment he attacks the neck, quite literally. With 40 photos.
1994
AL#38 p.18 BRB4 p.28
Dan Erlewine
▪ How do you make a new electric guitar that looks like it spent forty years in the bar wars? Erlewine uses two finishes with incompatible shrink rates, rope, the concrete floor, you name it! Creativity can be harsh, but his Tele certainly looks vintage.
1993
AL#36 p.6 BRB3 p.380
Dan Erlewine
▪ Erlewine hides his wooden patches under a field of colored French polish, then paints over it with simulated wood grain, and then might shoot a sunburst around everything. Old European craftsmen would smile in recognition of these tricks, but they are seldom applied to guitars.
1991
AL#26 p.14 BRB3 p.46
Dan Erlewine Herb David
▪ It’s tough to be in business and stay successful. It’s really tough to stay in business and keep having fun, too. Herb David tells how he runs his business, builds a few instruments, stays in shape, has fun. Here’s the last line of his personal prayer: “Deliver me from temptation but keep me in touch.” You gotta love the guy. Mentions Sam Varjebedian and Terry Horvath.
1991
AL#25 p.36 BRB3 p.13
Tim Olsen Dan Erlewine
▪ Is there any doubt that Erlewine is the world’s best-known guitar fixer? He’s also a heck of a nice guy. Editor Olsen nailed Erlewine’s feet to the floor long enough to answer a few questions. With 4 neat snapshots. Mentions Herb David, Mike Bloomfield.
This article has been nominated as one of the Guild’s best articles published before 2010.