Category Archives: wood

Our Great Spherical Friend Part One

1986
AL#6 p.19   BRB1 p.196            read this article
Frederick-C. Lyman-Jr.                                                                                           

▪ Lyman likens the physical properties of a stringed instrument to those of the earth’s atmosphere (our great spherical friend), and advises us that an understanding of science should underlay our intuitional sensitivities.

Interview with William DelPilar

1986
AL#5 p.10   BRB1 p.150            
Ted Davis   William DelPilar                                                                                       

▪ Davis offers his conversation with a professional luthier who made over 800 classical guitars between 1956 and 1986.

Continental Plank Fest, a German wood buying adventure

1986
AL#5 p.26   BRB1 p.172            
Ervin Somogyi                                                                                           

▪ Somogyi describes his adventure of buying guitar tops in Germany, and the extent to which bowed instruments dominate the German market.

Two Spruces

1986
AL#5 p.27   BRB1 p.176            
Ervin Somogyi                                                                                           

▪ Somogyi uses personal experience to compare Sitka and European spruces.

Building the Kamanche

1985
AL#4 p.27   BRB1 p.126            read this article
Nasser Shirazi                                                                                           

▪ Shirazi offers a history of the Persian bowed instrument as well as plans and construction advice. The kamanche is a four-stringed neck attached to a gourd. The plans are a reduced version of our full-scale Plan #9.

South American Rosewood

1985
AL#4 p.31   BRB1 p.132            read this article
John Jordan                                                                                           

▪ Jordan describes 14 varieties of rosewood, and 14 varieties of false rosewood. Some max out as large shrubs, and only offer interest to wood collectors. Others are of high interest to luthiers, or should be.

This article has been nominated as one of the Guild’s best articles published before 2010.

In Praise of the Plywood Bass

1985
AL#4 p.48   BRB1 p.148            read this article
Frederick-C. Lyman-Jr.                                                                                           

▪ Lyman champions the use of common materials and low sophistication in the production of serviceable, affordable bass fiddles. Mentions Kay basses and the Richard Ennis design in AL#3.

Review: The Luthier’s Mercantile Catalog for Stringed Instrument Makers by Luthier’s Mercantile

1985
AL#4 p.52   BRB1 p.492            read this article
Frederick Battershell                                                                                           

▪ The reviewer examines what has become one of the main-stay catalogs of lutherie and finds that it’s not only chock full of wood, supplies, and tools, it’s a nearly encyclopedic source of lutherie information.

A Chat with Don Manuel

1985
AL#4 p.11   BRB1 p.99            
William Cumpiano   Manuel Velazquez                                                                                       

▪ Velazquez fields a number of questions about the specifics of building the nylon-strung guitar, including types of glue, choice of wood, construction design, and finishing.

Tarrega Played a Maple Guitar

1985
AL#4 p.20   BRB1 p.114            
David Macias                                                                                           

▪ Macias relates an interesting anecdote about the first maple classical guitar he built, then translates a Pujol description of the Tarrega guitar made by Torres.

Practical Guitar Maker’s Bibliography

1985
AL#3 p.19               
Paul Wyszkowski                                                                                           

▪ Sixty books and articles dealing with guitar acoustics are rated for legitimacy, clarity, and usefulness.

Building a Plywood Bass

1985
AL#3 p.42   BRB1 p.92            read this article
Richard Ennis                                                                                           

▪ Rough sketches help describe a fast and cheap substitute for a bass viol. It has no scroll or waist, and a flat top and back.

Manuel Velazquez: An Appreciation

1985
AL#4 p.8   BRB1 p.96            
William Cumpiano                                                                                           

▪ Cumpiano shares a pleasant visit with Velazquez in Puerto Rico where the conversation is all about classical guitars, wood, compensation factors, and balancing the tone of the instrument.

This article has been nominated as one of the Guild’s best articles published before 2010.

A Love Affair with Wood, a Symposium ’85 talk

1985
AL#3 p.11   BRB1 p.84            
C.F. Martin-III                                                                                           

▪ The former head of the Martin Guitar Company reminisces about his life as a guitar maker, offers a short history of the company and certain guitar models, and in the process mentions C. F. Martin Jr., Frank Henry Martin, and Mike Longworth.

Dalbergia Nigra and Friends

1985
AL#1 p.32   BRB1 p.14            read this article
William Cumpiano   Bruce Hoadley                                                                                       

▪ In this interview with well-known author and wood expert Bruce Hoadley, Cumpiano seeks to clear up certain questions about Brazilian rosewood relating to identification and confusion with other Dalbergias and so-called rosewoods.

This article has been nominated as one of the Guild’s best articles published before 2010.

Electronic Moisture Meters

1985
AL#1 p.44   BRB1 p.44            
Gregory Jackson                                                                                           

▪ Jackson comments on the basic principle upon which electronic moisture meters work, use of the meters, and why you should not try to cobble together your own.

Testing Tonewood Samples

1984
DS#271   BRB2 p.400            
Graham Caldersmith                                                                                           

▪ The “Young’s Modulus” of any piece of wood can be calculated, giving a result measurable in frequency. Comparing the Young’s Modulus of a wood species with unknown qualities with a chart of other species of known characteristics can tell you what to expect before any instrument work is commenced. Here’s how to calculate the Young’s Modulus of any piece of wood you have on hand. With 1 drawing and a sample wood chart.

This article has been nominated as one of the Guild’s best articles published before 2010.

The Case for Using Natural Dyes

1983
GALQ Vol.11#1 p.8   BRB1p.372            read this article
Nicholas-Von Robison                                                                                           

▪ Robison offers a convincing, multi-pronged philosophical stance for using natural dyestuffs that should lodge firmly among the luthiers that build ancient instruments or see them on their repair bench. Or anyone else who admires subtlety more than bright pizzazz.

Evolving the Classic Guitar Soundboard

1983
DS#238   BRB2 p.340            
Ted Davis                                                                                           

▪ The author began building classical guitars before there was much written help out there, and he evolved his design specs by making a lot of guitars. Some of these have been absorbed into the general body of classical guitar literature, other remain unique. With 14 drawings and 2 photos.

This article has been nominated as one of the Guild’s best articles published before 2010.

Meet the Maker: Victor Gardener

1982
GALQ Vol.10#3 p.16   BRB2 p.158            
Frederick-C. Lyman-Jr.   Victor Gardener                                                                                       

▪ Gardener was an independent sort from Oregon who built closely in the style of the violins of the classic period in Italy. Mentions Hans Weishaar. With 2 photos.

Meet the Maker: Robert Lundberg

1978
GALQ Vol.6#1 p.10   BRB2 p.78            
Kent Rayman   Aggie Rayman   Robert Lundberg                                                                                   

▪ Lundberg is a classic example of a man who couldn’t fit into any of the slots society tried to force him into, yet who went on to become an important individual in his field. Lute players of the world couldn’t be happier about it. With 4 photos.

This article has been nominated as one of the Guild’s fifty best articles published before 2010.