1995
AL#42 p.26 BRB4 p.160
John Koster
▪ Koster explains what you can hope to gain by examining museum instruments, how to approach a museum, and what to do when you get there. With 21 photos.
This article has been nominated as one of the Guild’s best articles published before 2010.
1994
AL#37 p.22 BRB4 p.17
Nicholas-Von Robison John Koster
▪ How does a man become conservator to a famous collection of stringed instruments, and just exactly what does he do after he’s there? Koster maintains the collection at the Shrine to Music Museum.
1992
AL#31 p.58 BRB3 p.222 read this article
Jonathon Peterson Byron Will
▪ Will talks primarily about the business end of being a harpsichord maker.
1990
AL#23 p.20 BRB2 p.398
Jonathon Peterson George-A. Smith
▪ Smith is a veteran builder of many instruments who prefers to specialize in guitars and harpsichords.
1977
GALQ Vol.5#4 p.29 read this article
Byron Will
▪ The music of the renaissance and baroque has undergone a rebirth in the 20th century, with musicians and makers attempting to rediscover the high level of art that was reached.
1976
DS#36
E.O. Witt
▪ This comprehensive article first appeared in The Journal of the Audio Engineers Society, October 1975.
1973
GALNL Vol.1#2 p.1 read this article
J.R. Beall
▪ Beall gives here the sum of what information he has found on the subject.
1973
GALNL Vol.1#1 p.4 read this article
J.R. Beall
▪ The Modern Harpsichord by Wolfgang Joachim Zuckermann is a large, well illustrated, intelligently written and edited volume that lists and comments of most of the known makers of today.
1974
GALNL Vol.2#1 p.10
J.R. Beall
▪