Category Archives: factories

Electric Guitar Repair: Setups, Frets, and Inspiration

2024
AL#152 p.6               
Evan Gluck   Larry Fitzgerald                                                                                       

▪ Gluck is a beloved repeat presenter at GAL Conventions. This time, he brought along veteran New York repair guy Larry Fitzgerald. In addition to demonstrating fret-leveling techniques, they tell war stories of maneuvering their businesses to survive the recent global pandemic. Mentions Matt Brewster, Sam Ash, John Suhr, Rudy Pensa, Mandolin Brothers, Dan Erlewine, John Patitucci, Flip Scipio, LeRoy Aiello.

Meet the Maker: Mark Goodman

2024
AL#152 p.46               
Raymond Bryant                                                                                           

▪ Guitarist Bryant fell in love with an instrument that he tried at a local music store. When he learned to his surprise that it was individually handcrafted just a few miles from his home, he had to make the short pilgrimage. He takes us along to meet Mark Goodman, who has been working alone for decades in his simple and efficient home workshop.

Finding Inspiration in Early 20th-Century Instruments

2024
AL#151 p.6               
Todd Cambio                                                                                           

▪ From his 2023 GAL Convention lecture. For decades, it was received wisdom that the inexpensive steel-string guitars, made in their millions before WWII in American factories using American woods, were crap. Todd Cambio has been taking another look, and finds a lot to like and even to emulate. Hear him out; it’s a ripping yarn. Mentions Gibson, Martin, Lyon and Healy, Harmony, Sears, Wilhelm Schultz, Oscar Schmidt, Stella, Galiano, poplar, tulip tree, oak, parlor guitar, ladder bracing, bajo sexto, R. Crumb, Lead Belly, John and Alan Lomax, Blind Lemon Jefferson, Blind Willie McTell, Blind Blake, Lonnie Johnson, Carter family, Bristol sessions, Ernest Stoneman, Nick Lucas, Eddie Lang, Raphael Ciani, John D’Angelico, Lydia Mendoza, Guadalupe Acosta, Luis Acosta, Mike Acosta, Miguel Acosta, 12-string guitar, Michael Iuchi, mandolin, John Greven.

A Posthumous Interview with Seymour Drugan

2024
AL#151 p.50               
Harry Fleishman                                                                                           

▪ As a fourteen-year-old kid, Harry Fleishman was lucky enough to find a kindly and perceptive mentor in Seymour Drugan, an older legit jazz player who was running a guitar store. Although Seymour passed away long ago, Harry imagines a present-day interview in which he expresses his gratitude to “Mr. Drugan.” Mentions Carol Kaye, Johnny Winter, Fife & Nichols, Milt Owen.

A Day with Luisa Willsher of Madinter

2024
AL#151 p.54               
Federico Sheppard                                                                                           

▪ An Art-school girl from the UK goes to Spain as a flamenco dancer. There she meets a guy who has a business selling wood to local luthiers. Things go well. The business grows and gets bought by StewMac, and now she’s VP of Global Sales. And if you go to their sawmill, you can pick up pelletized fuel of the finest rosewood. Mentions Bob Taylor.

The Charles Fox Guitar-Building Method, Part One

2020
AL#139 p.26               
Mark French   Charles Fox                                                                                       

▪ If, some day, there is a Mt. Rushmore for the American Lutherie Boom, the ruggedly handsome face of Charles Fox will be boldly chisled in a place of honor. For over half a century he has led the way as developer and teacher of guitar-making methods and tooling. He is also a thoughtful and articulate philosopher of the craft, whose words will inspire luthiers yet unborn. Here’s the first in a series of four articles which will cover his process, and his thinking behind it, in detail.

The J-45: Gibson’s Workhorse Guitar

2020
AL#139 p.35               
Kerry Char                                                                                           

▪ Vintage guitar restoration specialist Kerry Char runs down the many changes that Gibson’s most popular flattop has gone through over the decades. Then he presents a full drawing of one that falls into the best period of the model: a well-worn example from 1947.

Delving into the Vagaries and Mysteries of Early Gibson Guitar Strings By Way of the Harp Guitar

2019
AL#137 p.32               
Gregg Miner                                                                                           

▪ Ready for an Americana-infused, vintage-lutherie, history-detective-style nerdfest? Yes, that old joker Orville Gibson is still full of surprises, even now, a century after his death. We have a lot to learn about string material, tension, intention, and nomenclature. Not to mention marketing and musical snobbery.

Removing Top and Back Guitar Plates

2018
AL#135 p.30               
Kerry Char                                                                                           

▪ Kerry Char sawed the top off an old Gibson flattop in front of a group of several dozen luthiers at the 2017 GAL Convention. And within the same hour he pried the back off a Knutsen harp guitar. Step by step photos.

Guitar Making: The Luthier’s Bench and the Factory

2018
AL#135 p.54               
Mark French                                                                                           

▪ Lutherie is changing. Digital tools are transforming factories, and also opening new possibilities to individual shops. This brigs up new issues. Like, what if the normal accuracy gets so high that the instruments sound too similar to each other? Will it become desirable to build in a certain amount of random variation?

Warmoth Guitar Products in the 21st Century

2018
AL#134 p.16               
Tim Olsen                                                                                           

▪ Ken Warmoth is one of the pioneers of the Strat-compatible guitar parts scene, starting small in the 1970s and working up to the sophisticated operation he runs today. He’s a born engineer, constantly refining and rethinking each operation for better accuracy and efficiency. Of course these days that involves CNC machines, and he’s got them. But you may be surprised to see which operations use them and which don’t. Our last visit with Ken was in 1991, so there is some catching up to do.

Let’s Catch up with Harry Fleishman

2018
AL#134 p.42               
Michael Bashkin   Harry Fleishman                                                                                       

▪ Everybody knows Harry Fleishman, right? We first “Met the Maker” in 2001, but by then Harry had already been an active GAL author and convention attendee for some time. Now we are catching up with him. This recent chapter of his story is a doozy, with major moves, businesses opening and closing, fruitful collaborations, international travel, and new beginnings.

Meet the Maker: C.F. Martin IV

2007
AL#91 p.14               
C.F. Martin-IV                                                                                           

▪ The author is the current chief of the venerable family business. He provides a candid look at Martin Guitar company history as well as a short examination of alternative wood varieties. Highly entertaining, with 5 photos.

This article has been nominated as one of the Guild’s best articles published before 2010.

Taylor Today

2007
AL#90 p.22      ALA1 p.72         
Mark French                                                                                           

▪ Taylor Guitars started out as the sort-of-goofy new kid on the block and has grown into the largest production steel string guitar facility in the country. Maybe you’ll learn something from this factory tour and maybe you won’t, but it’s always fascinating to see how the big guys do things. It’s the state of the art in large production. With 25 photos.

Build Variation in a Group of Acoustic Guitars

2007
AL#90 p.28      ALA1 p.78         
Mark French   Kendall Brubaker                                                                                       

▪ The authors measured frequency response of dozens of similar Taylor guitars using a hammer and a noncontacting laser displacement sensor. The big surprise was that guitars made of various woods didn’t differ very much. Well, some people were surprised. With 4 photos and 7 graphs.

Low-Tech Prototyping Jigs and Methods

2007
AL#89 p.6      ALA1 p.10         
Tim Shaw                                                                                           

▪ Shaw has worked for large guitar companies for decades. Currently with Fender, he runs an independent shop that makes prototype instruments for all the factories that fall under the Fender banner. He also does repairs on discontinued models where the factory equipment has been dismantled. Accomplishing one-off projects or small runs of parts is no different for a big company than for an independent luthier, they just have the luxury of big-budget equipment. Shaw’s methods of jigging up for parts manufacture incorporating speed and safety can be used by many one-off shops to hustle production and instrument development. Good stuff from one of the aces in the business. With 34 photos.

Meet the Maker: Jay Hargreaves

2005
AL#83 p.44   BRB7 p.380            
Todd Rose   Jay Hargreaves                                                                                       

▪ Bass maker Hargreaves is hardly a stranger to AL readers. Here he stands on the other end of the interview as he discusses his work as well as his affiliations with Michael Kasha and Richard Schneider.

Meet the Maker: Bob Jones

2005
AL#81 p.46   BRB7 p.306            
Bruce Calder   Bob Jones                                                                                       

▪ Jones is one of the “big guys” in the New York City instrument repair scene. He owns some very cool collectables. He’s worked for some of the biggest names in the industry. He has definite opinions about how to get into the business. How could you not read this? With 13 photos, including one of a double neck Selmer.

Is Guitar Design an Oxymoron?

2003
AL#76 p.8   BRB7 p.110            
Steve Klein                                                                                           

▪ Klein delivers a lecture that asks as many questions as it attempt to answer. Why has guitar design seemed to stall when so many other fields are jumping into the future? What do musicians really want? How can we make musicians want what we want to build? Is there any more to improve on the steel string guitar? A thought-provoking piece, indeed. With 13 photos.

This article has been nominated as one of the Guild’s best articles published before 2010.

Meet the Maker: John Greven

2003
AL#76 p.16   BRB7 p.116            
Mike Doolin   John Greven                                                                                       

▪ This wonderful interview has the kind of depth that only happens when friends talk. It takes familiarity to know what to ask and how to answer. Humor permeates this discussion of alternative woods, business ploys, the Internet, and in general living the life of a successful luthier. Greven has been in the business as long as anyone and is generous with his advice and experience. With 22 photos.

This article has been nominated as one of the Guild’s best articles published before 2010.

Shifting Gears on a Gretsch

2004
AL#77 p.22   BRB7 p.156            
John Calkin                                                                                           

▪ Dealing with a store saves you the hassle of dealing with customers but includes the uncertainties of not having access to the customers. The pros and cons are examined. Meanwhile, a Gretsch electric guitar fingerboard is removed, the truss rod swapped out, and the instrument is restored, all in good detail. With 10 photos.