Jeffrey R. Elliott

Jeffrey R. Elliott Guitars

Forty-nine-year member Jeffrey R. Elliott has frequently contributed both to American Lutherie and GAL Conventions. When he’s not building guitars, he can be found spotting the International Space Station, listening to music of all sorts, and baking bread in the night kitchen.

▪ bio current as of 2024

By the same author:
  1. In Memoriam: Kent Rayman
  2. Self-Centering Sideport Jig
  3. Letter: Gortex Felt Paper for Restoration
  4. Letter: Early Kasha/Schneider Guitar Lilli VII
  5. Ruminations on Historic Guitar Restoration
  6. In Memoriam: Jonathon Peterson
  7. Remembering Julian Bream
  8. In Memoriam: Eugene Clark
  9. Jeffrey R. Elliott Open Harmonic Bar Classical Guitar
  10. GAL Instrument Plan #74: 2016 Jeffrey R. Elliott Standard Concert Model Classical Guitar
  11. Meet the Maker: Gabriel Fleta
  12. Let’s Catch Up With Nick and Jeanne Kukich
  13. Manuel Velazquez, In His Own Words / Remembering Manuel
  14. 1930 Santos Hernandez Guitar With Segovia’s Autograph
  15. GAL Instrument Plan #68: 1930 Santos Hernandez Classical Guitar
  16. The Mandolin Family: Traditional and Contemporary Perspectives
  17. Questions: Wound G Classical Strings
  18. Meet the Makers: David and Rob Rodgers
  19. When Jimmy Met Richard
  20. It Worked for Me: Breakaway Clamp
  21. GAL Instrument Plan #61: 1986 Sullivan/Elliott 20 String Concert Harp Guitar
  22. Developing the Modern 20-String Concert Harp Guitar
  23. The Archtop Guitar: Perspectives on the Present and Future
  24. What is the Flamenco Guitar?
  25. A Life in Lutherie: A Discussion with Manuel Velazquez and His Son Alfredo
  26. Questions: Bracing Reinforcement
  27. Questions: Restoring Manzanero Guitar
  28. Restoring Tarrega’s 1888 Torres
  29. GAL Instrument Plan #52: 1888 Antonio de Torres Classic Guitar
  30. Questions: Canting Bass Side of Fretboard
  31. Product Reviews: Tite-Mark Marking Gauge; Contour Plane; Veritas Apron Plane
  32. Questions: Restoration Labels
  33. Questions: Mold Foam
  34. 1869 Francisco Gonzalez: A Restoration
  35. GAL Instrument Plan #47: 1869 Francisco Gonzalez Guitar
  36. In Memoriam: Robert Lundberg
  37. The Classic Guitar: Four Perspectives
  38. Questions: African Wenge
  39. Questions: Steel String Truss Rod
  40. Shaping the Sound: A Personal Approach to Building Classical Guitars
  41. Questions: Playability Variables
  42. Letter to the Editor: Correction to AL#56 Article
  43. Apprenticeships
  44. In Memoriam: Richard L. Schneider
  45. A Timely Top Replacement
  46. The Great White Sitka
  47. It Worked for Me: Liquid Buffing Compound
  48. Using Your Work Space from the 1990 GAL Convention panel
  49. A Survey of Seventeen Luthiers
  50. Letter to the Editor: Hauser Fan Bracing
  51. Reflections on Segovia’s Guitars at the Metropolitan
  52. Six Lutherie Tools
  53. Questions: Kiln-Dried Spruce
  54. Review: Antonio de Torres, Guitar Maker — His Life and Work by Jose Romanillos
  55. Letter to the Editor: Hauser Instruments
  56. Accident Prevention: A Case History
  57. An Interview with Jeffrey R. Elliott
  58. An Overview of the Hauser Tradition
  59. GAL Instrument Plan #12: 1943 Hauser Classic Guitar
  60. Western Forestry Show
  61. Post-Toronto Reflections
  62. Beizes, Collies and Potassium Dichromate
  63. Potassium Dichromate, Oxalic Acid, and Carnauba Wax
  64. An Interview with Jeffrey R. Elliott