Search Results for: "read this article"

Changing Guitar-Body Resonant Frequencies

2024
AL#152 p.52               
Devon Pessler   Alyssa Fernandez   Mark French                                                                                   

▪ A lot of people have a rough idea of how it would affect the sound of a flattop guitar to make the sides deeper, or to make the soundhole smaller. But now a college professor and two students have built the test apparatus and quantified the question. Read this article and see if you guessed right.

Ken Parker’s Uncut Personal Take on the Genesis of the American Archtop Guitar as told to Mike Doolin

2023
               read this article
Ken Parker   Mike Doolin                                                                                       

▪ Ken’s colorful telling of the invention and development of the early archtop guitar was too long to fit in AL#149, so we present it here along with front and side view X-rays of a 1898 Orville Gibson guitar. Mentions Lloyd Loar, John D’Angelico, Thaddeus McHugh, Maybelle Carter, Eddie Lang, Nick Lucas, Raphael Ciani, Charlie Christian, Freddie Green.

In Memoriam: Jeanette Fernandez

2022
AL#147 p.67               read this article
Ronald-Louis Fernandez                                                                                           

▪ Janette was a sweet Scottish lass, the wife of luthier/dealer Ron Fernandez, well known in guitar circles and a regular at GAL Conventions.

In Memoriam: José Luis Romanillos Vega

2022
AL#146 p.64               read this article
Federico Sheppard   Kevin Aram   Josep Melo   Mónica Esparza                                                                               

▪ Romanillos was a towering figure in the lutherie field during a long and productive career as a maker and scholar. He was also a generous mentor and friend to many guitar makers. Four of those makers share fond memories of him here. Many more will miss him.

In Memoriam: G.D. (George) Armstrong

2022
AL#146 p.68               read this article
Staff                                                                                           

▪ G.D. lived in Yamhill, Oregon, built a wide variety of instruments, was the repairman and proprietor of the Newburg (Oregon) Music Center, and was a regular attendee at GAL Conventions in Tacoma

In Memoriam: Jonathon Peterson

2022
AL#145 p.64               read this article
Staff   Cyndy Burton   Jeffrey-R. Elliott   Woodley White                                                                               

▪ Jon was a member of the GAL staff for over two decades. He wrote many articles, and did all the photography for Robert Lundberg’s landmark book Historical Lute Construction.

In Memoriam: Laurence “Buzz” Vineyard

2022
AL#145 p.67               read this article
Rick Rubin   Michael Elwell                                                                                       

▪ Buzz was a very early GAL member who made beautiful and unusual mandolins and archtop guitars.

In Memoriam: Wesley Brandt

2021
AL#144 p.68               read this article
Michael Yeats   Dan Compton   Mark Moreland   Chris Brandt                                                                               

▪ Wesley Brandt was a luthier in Portland, Oregon who reached a rare degree of quality in his work with early instruments. Four friends mourn his sudden passing. Many more will miss him.

Cleaning Shop Part 1

2021
               read this article
John Calkin                                                                                           

▪ In your workshop, are you drowning in a sea of beautiful little scraps of wood? Dr.JC is here to administer some tough love about your hoarding problem.

Cleaning Shop Part 2

2021
               read this article
John Calkin                                                                                           

▪ In your workshop, are you drowning in a sea of beautiful little scraps of wood? Dr.JC is here to administer some tough love about your hoarding problem.

Quickie Sander Fence

2021
               read this article
John Calkin                                                                                           

▪ Bang some hunks of particle board together to make the simple jigs you need, in this case a 90 degree fence for a horizontal belt sander. Remember to write on them what they are.

In Memoriam: Felix Manzanero

2020
AL#139 p.61               read this article
Ronald-Louis Fernandez                                                                                           

▪ Felix Manzanero was a classical guitar maker and collector in Madrid. He spent twelve years in the shop of Jose Ramirez II, starting at age fourteen. Felix was a friend of author Ron Fernandez’ father, and then a lifelong friend of Ron; they visited each other’s homes in Spain and California. Mentions Seiko Sesoko, Laurindo Almeida, Manitas de Plata, Sabicas, Segovia, Paracho, German Vazquez Rubio.

In Memoriam: Graham Caldersmith

2020
AL#140 p.60               read this article
Juan-Oscar Azaret                                                                                           

▪ Pioneering guitar maker, guitar designer, acoustics researcher, and author Graham Caldersmith has passed away. If you knew him, perhaps from his attendance at GAL Conventions, read this affectionate remembrance. If you didn’t, read it to find out what we’ve lost. Mentions Carleen Hutchins, Jim Williams, Greg Smallman.

In Memoriam: Fred Campbell

2019
AL#137 p.60               read this article
Tom Ribbecke                                                                                           

▪ Fred Campbell was a fixture on the lutherie scene for decades, specializing in finish work. Many of his friends will recall that he was notably forward in his appreciation of his Scottish heritage.

In Memoriam: Leo Bidne

2019
AL#137 p.61               read this article
Tim Olsen                                                                                           

▪ Leo Bidne was great example of the restless rabble from which the GAL arose in the early 1970s. He was a curious and persistant teenager who, without instruction and with slim resources, managed to make guitars. Leo was member of the GAL Staff in its formative days.

In Memoriam: Robert Ruck

2018
AL#135 p.60               read this article
Federico Sheppard   R.E. Brune   Peter Oberg                                                                                   

▪ Good ol’ Bob Ruck was part of the dozen or two friends whose talent and commitment formed the basis for the American Lutherie Boom. He was always way ahead of the curve, and as they developed, his fine classical guitars provided inspiration for others of his generation. Three friends who knew him well share their appreciations. Article mentions Hart Huttig, J.R. Beall, John Shaw, Ervin Somogyi, Manuel Barrueco, Neil Ostberg, yoga, tai chi.

In Memoriam: Jim Mouradian

2017
AL#130 p.62               read this article
R.M. Mottola                                                                                           

▪ Jim Mouradian, shown here with his son Jon, ran a guitar repair shop and made electric basses. He was a generous and happy mentor to many.

In Memoriam: Peter Kyvelos

2017
AL#130 p.63               read this article
R.M. Mottola                                                                                           

▪ Kyvelos was a world-respected maker of middle Eastern ouds. See his detailed step-by-step article on oud construction in American Lutherie #94 and American Lutherie #95.

In Memoriam: Eugene Clark

2017
AL#129 p.56               read this article
Cyndy Burton   Marc Silber   Brian Burns   Michael Gurian   Jay Hargreaves   R.E. Brune   Jeffrey R. Elliott   Federico Sheppard                                                               

▪ Eugene Clark (1934-2016) was one of the earliest and most influential pioneers of the American Lutherie Boom. Mentions Manuel Ramirez, Domingo Esteso, Santos Hernandez, Jon Lundberg, Freddie Mejia, David Rubio, Michael Gurian, David Santo, Lucien Barnes, Freddie Mejia, David Serva, Warren White, Manuel Velazquez, Manouk Papazian.

In Memoriam: Robert S. Cooper

2017
AL#130 p.59               read this article
R.E. Brune                                                                                           

▪ Cooper was an early member of the GAL as well as a maker of large and detailed airplane models. He wrote what was at the time the only book in English about making a lute, based on the work of the Hauser family. He’s fondly remembered by R.E. Brune, who built lutes from that book in the 1970s.

In Memoriam: Ray Tunquist

2017
AL#130 p.60               read this article
Tom Bednark                                                                                           

▪ Tunquist ran the huge circular saw on which most of the wood for Martin guitars was cut in the 1940s, ’50s, ’60s, and ’70s. He is remembered by Tom Bednark, an early GAL member.

In Memoriam: Jim Forderer

2016
AL#128 p.65               read this article
James Westbrook   John Doan                                                                                       

▪ Guild members knew Jim Forderer as the guy who brought an RV full of important antique guitars to the GAL Conventions and let us play them. Disabilities advocates and Neil Young fans knew him as the co-founder of The Bridge School. Sometimes the angels don’t look like angels. Maybe all the time.

In Memoriam: Don Bradley

2016
AL#127 p.71               read this article
Deb Olsen   Chris Herrod   Alan Carruth   Fred Carlson                                                                               

▪ Ouch. It’s tough to lose an old friend like good ol’ Don Bradley. Maker of frequency generators, keeper of llamas, attender of GAL Conventions, super great guy.

In Memoriam: Steve Newberry

2014
AL#119 p.71               read this article
Ervin Somogyi                                                                                           

▪ Steve was a guitarist, luthier, scholar, author, and experimenter who was a GAL member for twenty years and a regular at our conventions. He will be missed. Steve Newberry (Jan 2, 1928 – Aug 8, 2014).

In Memoriam: Manuel Velazquez

2014
AL#118 p.71               read this article
Beverly Maher                                                                                           

▪ New-York-City guitar dealer Beverly Maher remembers her old friend and colleague Manuel Velazquez who recently passed away at age 97.

In Memoriam: Frederick C. Lyman

2013
AL#113 p.71               read this article
Ken McKay   Tim Olsen                                                                                       

▪ Remembering Frederick C. Lyman (1925-2011) WWII veteran, art painter, bass builder, and free jazz musician.

In Memoriam: Joseph R. Johnson: Oct 24, 1954 – May 21, 2012

2012
AL#111 p.71               read this article
Deb Olsen                                                                                           

▪ Deb Olsen remembers Joe Johnson, (1954-2012) the first curator of the Shrine of Music Museum in Vermillion, South Dakota and the founding curator at Georgia Music Hall of Fame in Macon, Georgia.

In Memoriam: Joseph Wallo (1921-2009)

2011
AL#108 p.70               read this article
Mike Ashley   Robert England   R.E. Brune   David Laplante   Charles Vega                                                                           

▪ Remembering Joseph Wallo (1921-2009) Internationally known maker of the finest in concert guitars.

In Memoriam: Jess Wells

2011
AL#105 p.69               read this article
Jonathon Peterson   Eric Meyer   Ed Geesman   David Kerr   Hiram Harris                                                                           

▪ Five luthiers remember Jess Wells, (1953-2010) builder of viols, lutes, fishing rods, and pipe organs.

A Method For the Design Of the Guitar Body Outline Part 3: Compound Radius Curves

2010
AL#103 p.60               read this article
R.M. Mottola                                                                                           

▪ An enhancement to the model for drawing guitar body outline halves presented in AL#97.

Reviews: Stradivari: by Stewart Pollens

2010
AL#103 p.64               read this article
David Gusset                                                                                           

▪ “Stradivari” by Stewart Pollens recounts every aspect known about the legendary maker and includes over 1,000 black and white images of 16 violins, violas, and cellos.

Questions: Lacey act amendment

2010
AL#103 p.68               read this article
Chuck Erickson   Anne Middleton   Michael Greenfield                                                                                   

▪ The effect of the Lacey Act on procuring raw materials needed to build musical instruments. Two FAQs on the Lacey Act can be found at www.eia-global.org/lacey and www.forestlegality.org.

A Review of Three Old Lutherie Books With An Emphasis on Their Guitar Sections

2010
AL#104 p.26               read this article
Jan Tulacek   Alain Bieber   James Buckland                                                                                   

▪ An overview of three 19th century lutherie texts, by G.A. Wettengei in 1828, J.C. Maugin in 1834, and Paul Hasiuck in 1907.

Reviews: The Responsive Guitar/Making the Responsive Guitar (box set) by Ervin Somogyi

2010
AL#102 p.64               read this article
Roger-Alan Skipper                                                                                           

▪ This striking two-book set, ‘The Responsive Guitar’, about the physics, dynamics, acoustics, and construction of the guitar, and ‘Making the Responsive Guitar’, information on the workshop, tools, jigs, wood storage, etc, is a handsome tomb featuring hundreds of stunning color photographs.

Violin Free Plate Mode Tuning Reprised

2010
AL#103 p.24               read this article
Edgar-B. Singleton                                                                                           

▪ Singleton gives simple, direct advice for getting the mode frequencies where you want them with the least cutting. This involves understanding how the node lines overlap.

In Memoriam: Taku Sakashta

2010
AL#101 p.71               read this article
Tom Ribbecke                                                                                           

▪ Tom Ribbecke mourns his friend and respected colleague Taku Sakashta, maker of world class guitars. (1966-2010).

Not Only Cones Make It- And Cylinders Almost Do

2010
AL#101 p.52               read this article
F.A. Jaen                                                                                           

▪ It seems reasonable that the strings of a guitar, not being parallel, could not properly lie on a fretboard that describes a cylinder, but the numbers say otherwise.

Travel Lute

2010
AL#101 p.56               read this article
Ben Cohen                                                                                           

▪ An amateur luthier and lutenist designs a travel-friendly lute using a banjo approach.

Reviews: How To Make a Living By Doing Something Crazy Like Building Guitars by Kent Carlos Everett

2010
AL#101 p.66               read this article
John Calkin                                                                                           

▪ Everett’s book, based on a lecture given at Healdsburg Guitar Festival is a thoroughly researched look at self employment, backed up with experience and hard data.

Reviews: With Strings Attached: Art and Beauty of Vintage Guitars by Jonathon Kellerman

2010
AL#101 p.66               read this article
Walter Carter                                                                                           

▪ This book showcases Kellerman’s vast instrument collection, presented alphabetically by maker, and each accompanied by information on the model, acquisition, and sound of each instrument.

Inharmonicity of Guitar Strings

2009
AL#100 p.48               read this article
Mark French                                                                                           

▪ Guitar strings need to be the “wrong” length in order to sound “right.” The gloriously simple math of Pythagoras doesn’t accomplish this. French uses lasers and spreadsheets, more numbers, and Greek letters to attempt to get closer.

Product Reviews: Knilling Perfection Planetary Pegs

2009
AL#100 p.58               read this article
Randy DeBey                                                                                           

▪ DeBey reviews a set of Knilling Perfection Planetary pegs (geared tuning pegs) designed by John Charles Herin.

Reviews: Violin Rehairing with Roger Foster, by Ronald Louis Fernandez

2009
AL#100 p.67               read this article
Ken Altman                                                                                           

▪ Violin Repairing With Roger Foster, a 53 minute DVD, shows how a professional violin and bowmaker rehairs a bow in his shop, with comments and explanations along the way.

Questions: Double Neck Acoustic Guitar Plans

2009
AL#100 p.67               read this article
Fred Carlson                                                                                           

▪ Some obvious design choices before building a double neck (6 and 12-string) acoustic guitar: neck, space, body size, design, and bracing.

Letter to the Editor: Technical qualm with Jim Blilie’s article in AL#100

2010
AL#101 p.4               read this article
Alan Carruth                                                                                           

▪ More than minor disagreements with points in Blilie’s overall excellent article in AL#100, stiffness and density-relation among them.

Parametric Models of Guitar Cutaways

2009
AL#99 p.60               read this article
R.M. Mottola                                                                                           

▪ Do you know why certain parts of our lives can’t be altered? Because smarter people than us are in control. If you are artistic enough, you can lay out a nice guitar shape with just a pencil and paper. If you are smart enough (not that being smart negates the possibility of artistic talent) you can use geometric forms and even a computer to shape a graceful guitar. If you are neither artistic nor smart you’ll have to copy something that’s already been done. This story is for smart people. With 12 drawings.

Reviews: Engineering the Guitar: Theory and Practice by Richard Mark French

2009
AL#99 p.66               read this article
Bill Greenwood                                                                                           

▪ This book is aimed at “a niche audience of mathematically literate students who are relatively new to the details of guitar structure. . . .” The reviewer decides it is a successful effort.

Review: Lyre-guitar: Etoile charmante, between the 18th and 19th centuries by Eleonora Vulpiani

2009
AL#99 p.67               read this article
John Doan                                                                                           

▪ The reviewer admires this book that takes a serious look at the lyre-guitar, an instrument that most of us—even those with a bent for history—give short shrift.

Questions: String Tension and Purity of Tone

2009
AL#99 p.68               read this article
Alan Carruth                                                                                           

▪ Alan Carruth checks the relationship between higher tension and purer tone by mounting plain steel strings on a test rig.

In Memoriam: Dennis Stevens

2009
AL#99 p.70               read this article
Harry Fleishman                                                                                           

▪ Remembering Dennis Stevens (1944-2009) who was revered in the jazz community and made fabulous steel string and classical guitars.

In Memoriam: Rob Girdis

2009
AL#99 p.71               read this article
Rick Davis                                                                                           

▪ Remembering Rob Girdis (1953-2009) who studied with Anthony Huvard at Huvards Northwest School of Instrument Design. His guitars were notable for detail and artistry in color and form.

Letter to the Editor: Natural Shell Material Clearance

2009
AL#100 p.5               read this article
Chuck Erickson                                                                                           

▪ Avoiding confiscation of instruments containing natural shell material by U.S. customs agents and extra fees by including the proper details on customs forms.

Using the Golden Section to Design a Kamanche

2009
AL#98 p.57               read this article
Ahanali Jahandideh   Mitra Jahandideh   Hadi Abbaszadeh   Samad Jahandideh                                                                               

▪ The Kamanche is a Persian bowed instrument with a skin head. The authors use a ratio of the value of phi to define its size, a trick violin makers have used for a long time. With one photo and 4 drawings.

A Survey of Guitar Making Books

2009
AL#98 p.58               read this article
Graham McDonald                                                                                           

▪ The author rounds up a collection of acoustic guitar making manuals currently available to help us separate the wheat from the chaff. The serious student will no doubt end up with several of these books, but McDonald will help you decide which ones to buy first. Includes jacket photos of all the books discussed.

A Method for the Design of the Guitar Body Outline

2009
AL#97 p.52               read this article
R.M. Mottola                                                                                           

▪ No, you won’t find plans for any particular instrument here, or even any plan in the conventional GAL sense. This article is about intelligently laying out the body shape of a guitar using 11 parameters. Don’t let your brain glaze over yet, this isn’t about geometry or classical design theory, it’s about using simple design elements to create graceful body shapes using several historical outlines guitars as examples and then moving on to shapes you might create to make the guitar more beautiful or efficient (to you, at least). There is some math (horrors!) but of a simple variety mostly embodying ratios. Have you ever built a guitar from a freehand drawing and found that it wasn’t quite the work of art you intended? Well, you don’t have to do that any more. With 16 drawings, a chart, and a photo.

Reviews: The Mandolin Project by Graham McDonald

2009
AL#97 p.64               read this article
John Calkin                                                                                           

▪ The reviewer is very pleased with this manual that presents the construction of four different styles of mandolin. The instruction is concise and the illustrations well done.

Reviews: French Polishing for Guitarmakers 2.0 by Dr. Ronald Louis Fernandez

2009
AL#97 p.65               read this article
Tom Harper                                                                                           

▪ Beginners often face the prospect of French polishing with some trepidation. As in many facets of lutherie, video is usually a better instructor than text. With only a few reservations the reviewer finds this DVD to be a clear and concise tutorial.

Questions: Double Bass External Linings

2009
AL#97 p.68               read this article
Arnold Schnitzer                                                                                           

▪ Strips of wood on the ribs at the top and bottom edges of a double bass are called ‘external linings’ and can be found on many commercial basses from Germany and China.

Letter to the Editor: Statistical Listening Test

2009
AL#98 p.3               read this article
Kenny Hill                                                                                           

▪ Hill’s letter is a response to R. M. Mottola’s article in AL #96 about sound ports, which found that they were ineffective in changing the volume or tone of a guitar to the player or listener. Hill maintains that the science and his personal experience are at odds, and that he is willing to stand by his personal experience. Well, we love a good argument, especially when both sides make their case so eloquently. To be continued. . . .

GAL Instrument Plan #60: Two Tuvan Instruments

2009
AL#98 p.44               read this article
Thomas Johnson                                                                                           

▪ The instruments are the igil and the morin khuur. They may figure prominently on the top of the pops in Tuva, but we bet you’ve never heard of them. Obscure instruments are fun and exotic, just like foreign places (where the heck is Tuva, anyway?). Both are fretless and played with a bow. One is covered in goat or fish skin and one is not. Either would have looked right in place in “Conan the Barbarian”. That’s a compliment, not a slight. Full scale plans are available as GAL plan #60. With 4 photos and a mini-plan. See the GAL website for a low-rez preview.

The Colombian Andean Bandola

2008
AL#96 p.34               read this article
Luis-Alberto Paredes-Rodriguez   Manuel-Bernal Martinez                                                                                       

▪ The Andean bandola (isn’t that cool to say? Makes you want to have one) looks like a big 6-course flattop mandolin, though it stems just as much from the guitar. Bandola development went into over drive during the 1960s and continues today. In fact, the authors have developed a bandola family. One version owes a lot to the ever-influential Greg Smallman. With 25 photos, a string gauge chart, and a tuning chart. Includes reduced image of GAL Instrument Plan #59.

Reviews: The Guitar in America, Victorian Era to Jazz Age by Jeffrey J. Noonan

2008
AL#96 p.65               read this article
Don Overstreet                                                                                           

▪ The book is about the Banjo, Mandolin, and Guitar Movement that ended with the Great Depression. While the reviewer admits that there is little here for luthiers, there is a ton of interesting material for the musical history buff. This time is where many of the instrument icons we all copy came from.

Reviews: Building the Selmer-Maccaferri Guitar by Michael Collins

2008
AL#96 p.66               read this article
John Calkin                                                                                           

▪ The reviewer enjoyed this 14-hour DVD set but advises that it’s not the last word in the construction of a fine guitar.

New Directions in Violin Making

2009
AL#97 p.4               read this article
Joseph Curtin                                                                                           

▪ It turns out that virtually every aspect of the violin can be altered to make it more playable, more visually interesting, and perhaps better sounding. What a relief! There’s life in the old girl yet. Are players brave enough to get on board?

Accidental Exotics

2008
AL#95 p.57               read this article
Mike Brittain                                                                                           

▪ Brittain is a Florida luthier obsessed with hunting down the tonewood trees that came to his home state either as infestations or introduced ornamentals. It turns out there’s lots of Indian rosewood growing in Florida, and many trees that have to be removed due to “progress” or storm damage. We can’t let them go to waste, can we Mike? With 5 photos.

Reviews: Classical Guitar Making, A Modern Approach to Traditional Design, by John S. Bogdonovich

2008
AL#95 p.64               read this article
John Mello                                                                                           

▪ The reviewer finds this book to be “an impressive achievement, a logical first choice of the available stand-alone methods for classical guitar construction.”

Reviews: Guitar Voicing Class with Ervin Somogyi

2008
AL#95 p.65               read this article
Joe Herrick                                                                                           

▪ The reviewer not only learned a lot about choosing tops and designing brace patterns, he had a very good time. The class took him beyond building generic guitars and into the realm of building the specific guitars that he andor his customers want to hear.

In Memoriam: Thomas Humphrey

2008
AL#95 p.70               read this article
Stephan Connor                                                                                           

▪ Remembering Thomas Humphrey (1948-2008) renowned as an innovative contemporary creator of classical guitars. With one photo.

Letter to the Editor: Instrument Resurrection Stories

2008
AL#96 p.3               read this article
John Calkin                                                                                           

▪ Calkin’s letter is concerned with repair shop work ethics, customer relations, and job burnout. It’s really about an old-timer surveying modern society and finding it lacking in some ways.

Reviews: Step by Step Guitar Making by Alex Willis

2008
AL#94 p.63               read this article
John Mello                                                                                           

▪ The reviewer finds this book to be a useful addition to the beginning luthier’s library, but that it falls short of being a stand alone teaching text.

Meet the Maker: Norman Pickering

2008
AL#95 p.14               read this article
Barbara Goldowsky   Norman Pickering                                                                                       

▪ Pickering invented the phonograph cartridge named after him, but that’s just for starters. He’s spent a long lifetime researching and teaching acoustics, inventing clocks and aircraft instruments, working with medical ultrasonics, flying his own plane, researching bowed instruments, and playing viola in chamber ensembles. Just to name a few of his activities. A very interesting and intellectually restless man. With 8 photos.

Constructing the Middle Eastern Oud with Peter Kyvelos, Part Two

2008
AL#95 p.18               read this article
R.M. Mottola   Peter Kyvelos                                                                                       

▪ The oud is the Arabic ancestor of the lute, as well as being a popular contemporary instrument in many parts of the world. Part One of this two-part series was printed in AL#94. This part concerns the construction of the soundboard and neck of the instrument. With 33 photos.

This article has been nominated as one of the Guild’s best articles published before 2010.

Meet the Maker: Chuck Lee

2008
AL#95 p.26               read this article
Steve Kinnaird   Chuck Lee                                                                                       

▪ Lee is a prominent maker of old-time open-back banjos, ex-plumber, dedicated Christian, and Texas-style family man. Cool guy, and his banjos are interesting, too. With 20 photos.

Geometric Design of the Stradivari Model G Violin, Part Three: The Scroll

2008
AL#95 p.44               read this article
Robert-J. Spear                                                                                           

▪ Did the Cremonese fiddle makers use geometry to plot the design of their violins? Can geometry explain the size relationships of violin parts and details? Spear thinks so. This is the third and final installment printed in sequential issues of AL. With 3 photos and 9 diagrams/charts.

This article has been nominated as one of the Guild’s best articles published before 2010.

Fabio’s Excellent Nicaraguan Adventure

2008
AL#93 p.56               read this article
Mike Moger                                                                                           

▪ Three luthiers travel to war-ravaged Nicaragua to teach a class in guitar making. Why? It’s an effort to aid job diversity and economic growth to an area often reduced to subsistence farming for a living. With 6 photos.

Reviews: La Chitarra di Liuteria—Masterpieces of Guitar Making, by Stefano Grondona and Luca Waldner

2008
AL#93 p.70               read this article
Tom Harper                                                                                           

▪ The reviewer much admires this book that attempts to supply the reader with an emotional appreciation of specific guitars made during the late 18th century to the mid-20th century.

Constructing the Middle Eastern Oud with Peter Kyvelos, Part One

2008
AL#94 p.8               read this article
R.M. Mottola   Peter Kyvelos                                                                                       

▪ The oud, of course, is the Arabic ancestor of the lute, as well as being a popular contemporary instrument in many parts of the world. Kyvelos has been building them since 1970. The story offers a bit of background on the oud, a few of its recent historical builders, and Kyvelos himself, though most emphasis is placed upon the construction of the instrument. This part mostly concerns the construction of the bowl of the instrument. With 33 photos.

This article has been nominated as one of the Guild’s best articles published before 2010.

Geometric Design of the Stradivari Model G Violin, Part Two: f-holes

2008
AL#94 p.30               read this article
Robert-J. Spear                                                                                           

▪ The second installment of how geometry might have been used to design the Cremonese violin. Part One was in AL#93. With 10 graphs and a photo.

This article has been nominated as one of the Guild’s best articles published before 2010.

Review: Building the Kamanche by Nasser Shirazi

2007
AL#92 p.64               read this article
Barbara Goldowsky                                                                                           

▪ Mr. Shirazi’s book give clear and precise direction for building all the parts of this Persian instruments, as well as information about building five different body types. This is perhaps the only AL book review that includes a nice interview with the author. With 1 photo.

In Memoriam: Victor Gardener

2007
AL#92 p.70               read this article
Chris Dungey                                                                                           

▪ Oregon violin maker Gardener was an influential luthier who lived a very long life. He is famous for mentoring younger luthiers in the skills of selecting and cutting trees (see “Logging Luthiers,” BRB2 p.446 AL#24 p.13). It always hurts when another member of the tribe passes on.

Meet the Forester: Andrea Florinett

2008
AL#93 p.38               read this article
Greg Hanson   Andrea Florinett                                                                                       

▪ Author Hanson spent two weeks in Switzerland harvesting and processing lumber and tonewood with the Florinett family, who supply the guitar business with 7000 quality spruce tops each year. Florinett is a certified forester who is as concerned with the healthy harvesting of tree stands as with making the most and best use of the wood. The morality of business is also his concern if he is to help his village, his country, as well as the future of his family business. This is a compelling look at an end of the lutherie business that few of us even think about. With 15 photos and a sketch of Picea abies subspecies.

Geometric Design of the Stradivari Model G Violin, Part One: Mold and Template

2008
AL#93 p.46               read this article
Robert-J. Spear                                                                                           

▪ The author’s goal is to demonstrate that the Cremonese fiddle makers used geometry based on the Golden Mean to design their instruments. This installment concerns the body outline. With 2 photos and 9 graphs/drawings.

This article has been nominated as one of the Guild’s best articles published before 2010.

Intonation in the Real World

2007
AL#92 p.26               read this article
Mike Doolin                                                                                           

▪ The author begins with a lengthy introduction to explain why guitars can’t play exactly in tune in every key, all the way to the point where music theory clashes with physics. It’s pretty deep but it’s fun. The cure for wayward guitars is to find what music a guitarist plays the most, and then adjust the action and intonation at both the nut and the saddle to find the most satisfactory compromise for that player. This is the thinking luthier’s approach to intonation correction. With 4 charts and a drawing.

This article has been nominated as one of the Guild’s best articles published before 2010.

The Santur

2007
AL#92 p.35               read this article
Javad Naini                                                                                           

▪ The santur is the Persian version of the hammered dulcimer, often tuned to scales that would make it unplayable by Western musicians. With 9 photos and a 2-page version of GAL Plan #56.

This article has been nominated as one of the Guild’s best articles published before 2010.

Grading and Curing Lumber

2007
AL#92 p.54               read this article
Bruce Creps                                                                                           

▪ Creps’ business is dealing wood to luthiers. He gives advice on dealing with the mills that process your log, how to store and dry the planks, and (in AL #91) how to resaw it into useful instrument wood. Perhaps most interesting is the number of ills that can befall wood, both as a tree and while curing. Laying out boards for the prettiest sets and the greatest yield is also covered. With 18 photos and a drawing.

There’s a Hole in the Bucket

2007
AL#91 p.6               read this article
Cyndy Burton                                                                                           

▪ Burton’s micro history of sideports (holes in the sides, in addition to the front soundhole) in stringed instruments serves as an introduction to the next three articles. Luthiers she mentions include John Monteleone, Robert Ruck, Alain Bieber, Gennero Fabricatore, Kenny Hill, Alan Carruth, Roger Thurman, and Augustino LoPrinzi. With 9 photos.

This article has been nominated as one of the Guild’s best articles published before 2010.

Sideways

2007
AL#91 p.8               read this article
John Monteleone                                                                                           

▪ Ace archtop builder Monteleone is an advocate of side soundports (holes in the sides, in addition to the front soundhole) and has employed them for over a decade. His article includes personal background, developmental work on his sideported instruments, and construction techniques. With 3 photos.

This article has been nominated as one of the Guild’s best articles published before 2010.

Herr Helmholtz’ Tube

2007
AL#91 p.11               read this article
Mike Doolin                                                                                           

▪ The author found that a sideport (hole in the side, in addition to the front soundhole) in his guitar changed its voice in an undesirable way. Adding a bass reflex tube to the hole returned the guitar to a tonal range he liked. He remains luke warm to the benefits of side ports. With 5 photos.

This article has been nominated as one of the Guild’s best articles published before 2010.

Three Holes are Better than One

2007
AL#91 p.12               read this article
Robert Ruck                                                                                           

▪ Ruck has been adding sideports (holes in the sides, in addition to the front soundhole) to his classical and flamenco guitars for many years and is a strong advocate of their advantages. The incidents that led him to incorporate ports are very interesting. He mentions Roger Thurman and Augustino LoPrinzi. With 1 photo.

This article has been nominated as one of the Guild’s best articles published before 2010.

Meet the Merchant: Jay Hostetler

2007
AL#91 p.32               read this article
Jay Hargreaves   Jay Hostetler                                                                                       

▪ Not only is Hostetler a long-time employee/leader at Stewart-MacDonald, he’s a really nice guy. He sidesteps a lot of personal history to give us an entertaining inside look at Stew-Mac, a major supplier of tools, parts, and materials to the lutherie trade and the hideout of several interesting and talented luthiers and musicians. With 3 photos.

Resawing Lutherie Wood

2007
AL#91 p.40               read this article
Bruce Creps                                                                                           

▪ Just about everything you’ll need to know about setting up a bandsaw for resawing and getting the most yield from your lumber. The emphasis is on the Hitachi CB75F resaw, but much of the info will translate to other bandsaws. Included is a good side bar on resharpening bandsaw blades. With 10 photos and 6 drawings.

This article has been nominated as one of the Guild’s best articles published before 2010.

Sharpening the Stellite Teeth on the 3″ Hitachi Blade

2007
AL#91 p.43               read this article
Bruce Creps                                                                                           

▪ With a shop made jig you can sharpen your blade in place in less time than it takes to remove and reinstall it.

Bow Rehairing

2007
AL#91 p.56               read this article
Paul Hill                                                                                           

▪ There’s good money out there for the person who can nicely rehair violin-family bows, but it’s not easy to learn. Hill begins with laying out the work bench and methodically illuminates the rehairing process. With 27 photos.

This article has been nominated as one of the Guild’s best articles published before 2010.

In Memoriam: John Sullivan

2007
AL#90 p.3               read this article
Bruce Harvie                                                                                           

▪ People die every day; that’s the way of the world. But it still hurts to see one of our lutherie family join the departed, especially one so young and talented. Sullivan was a Northwest builder known mainly for mandolins, but he made many other fine instruments as well.

Meet the Maker: Douglas Martin

2007
AL#90 p.16               read this article
Barbara Goldowsky   Douglas Martin                                                                                       

▪ Martin is the guy who’s turning the violin world upside down with his balsa wood fiddles. They look pretty bizarre but critics and musicians seem to agree that he’s on to something. He’s also a very interesting guy. With 20 photos.

Woodchopper’s Ball

2007
AL#90 p.54               read this article
Bruce Harvie                                                                                           

▪ Specialty woodcutters must be the hardest working people in lutherie, but they also seem to have the most fun. Not just a woodcutter, Harvie is also a treasure hunter supplying luthiers in the trade with wooden jewels. This story is great fun. With 16 photos.

The Trio Romantico and the Requinto

2007
AL#89 p.34               read this article
C.F. Casey                                                                                           

▪ The requinto is a small classical guitar tuned a forth higher than standard tuning, and is the lead instrument in a form called Trio Romantico. Casey discusses the history of the instrument and offers a plan of one particular example. With 7 photos and a 2-page version of GAL Plan #54.

This article has been nominated as one of the Guild’s best articles published before 2010.

The Imperator

2006
AL#88 p.16               read this article
Alain Bieber                                                                                           

▪ The lyre guitar goes back centuries. Lyre instruments in general go back millennia. The author couldn’t resist resurrecting the harp guitar, bringing it up to current standards. His research covers a wide look at art history as well a guitar history. Fascinating! With 14 photos and 2 drawings.

Meet the Maker: Jose “Pepito” Reyes Zamora

2006
AL#88 p.48               read this article
C.F. Casey   Jose Zamora                                                                                       

▪ Reyes-Zamora is a proud Puerto Rican who made it his business to rescue portions of the country’s history from oblivion. He has specialized in resuscitating the Puerto Rican tiple, an instrument unlike others of the same name. With 6 photos.

A Different Way of Defining Body Shapes

2006
AL#88 p.52               read this article
Mark French                                                                                           

▪ The author discusses the curve fit, a mathematical method of describing a shape that a computer, and thus a CNC machine, can understand. Curve fits have other benefits, too, but computer illiteracy prevents them from being described here. Includes a plethora of charts and graphs.

Review: The Century That Shaped the Guitar by James Westbrook

2006
AL#88 p.63               read this article
Bryan Johanson                                                                                           

▪ No, it wasn’t the 20th century, silly. It was the 19th century in which the classical guitar grew up.The reviewer calls this book wonderful, informative, and generous. There is also a CD available of 19th century guitar music played on restored instruments of the time.

Letter to the Editor: Circles in Classical Violin Design

2007
AL#89 p.5               read this article
James Blilie                                                                                           

▪ Blilie questions Michael Darnton’s concept of circles as the underlying structure of classical violin design.

The Power of Circles

2006
AL#87 p.26               read this article
Michael Darnton                                                                                           

▪ The author demonstrates that the design of classic instruments (of whatever type) is dictated by simple geometric forms, and that to ignore such shapes while designing new instruments is to invite ungainliness into your shop.With 9 photos and 7 drawings.

This article has been nominated as one of the Guild’s best articles published before 2010.

Parametric Solid Modeling Software for Stringed Instrument Design

2006
AL#87 p.40               read this article
R.M. Mottola                                                                                           

▪ Parametric solid modeling is a usable step between computer aided design and computer aided manufacturing. It permits a three-dimensional picture of a part to be made. A CNC machine doesn’t need it, but a designer might in order to better visualize what it is the machine is about to make. If this makes no sense to you, welcome aboard. But CAD/CAM/CNC-made instrument parts are here to stay, even for small shops. Understanding the process will give you an edge over the stick-in-the-muds who can’t be bothered. With 9 illustrations.

In Memoriam: Ted Beringer

2006
AL#88 p.3               read this article
Bruce Harvie                                                                                           

▪ Ted Berringer was a prolific and unfettered amateur builder with an impressive 55 years of experience in the art. He was a long-time GAL member and frequent attendee at GAL Conventions. Here’s and affectionate goodbye to a really likable guy.

Meet the Maker: Carleen Hutchins

2006
AL#86 p.32               read this article
Alan Carruth   Carleen Hutchins                                                                                       

▪ Even if you couldn’t care less about violins you will be fascinated by this woman’s life. She has built and studied bowed instruments for as long as anyone, and her contributions to the field may be beyond estimating. If everyone’s life was as busy and fulfilling as Hutchins’ the world would be a far different place than it is. With 4 photos and relative drawings of the 8 instruments in the new violin family.

This article has been nominated as one of the Guild’s best articles published before 2010.

Seeking the Top

2006
AL#86 p.48               read this article
Michael Sanden                                                                                           

▪ The author is enthusiastic about the spruce he buys from Pacific Rim Tonewoods, and his tour of the facility provides some insight as to how trees become guitar tops. With 7 photos.

Questions: Significance of Q

2006
AL#86 p.67               read this article
Brian Burns                                                                                           

▪ Q refers to one of the basic qualities of stringed instrument materials, tested generally through tap tones to measure sound diminishment time.

Reviews: The Ukulele by Denis Gilbert, and Ukulele Design and Construction by D. Henry Wickham

2006
AL#86 p.68               read this article
John Calkin                                                                                           

▪ The reviewer finds that neither of these books is that great but that Wickham’s is probably a better value than Gilbert’s.

DVD Review: In Search of the Harp Guitar, It’s History, Players, and Makers, hosted by John Doan

2006
AL#85 p.64               read this article
Cyndy Burton                                                                                           

▪ The reviewer enjoyed this DVD, though she seems hesitant to recommend it to anyone seeking solid information about building a harp guitar. It’s a tour of the contemporary harp guitar scene important to anyone who wishes to be part of that society in any guise.

Letter to the Editor: Ancient Simple Fiddle

2006
AL#86 p.3               read this article
Paul Butler                                                                                           

▪ Seems that Mottola’s simple bass in AL#80 resembles a certain type of baritone fiddle going aback about a thousand years. Butler makes a similar thing to play with kids.

Apprenticeships: Great Opportunity for Mentors and Apprentices

2005
AL#84 p.54               read this article
Bill Beadie                                                                                           

▪ An apprenticeship, as described here, involves no transfer of cash, but the author lists a variety or reason why an apprenticeship might be a fine thing for apprentice and mentor alike.

Review: The Setup and Repair of the Double Bass for Optimum Sound by Chuck Traeger

2005
AL#84 p.58   BRB7 p.534            read this article
James Condino                                                                                           

▪ The reviewer finds this book to be a treasure well worth the high cost to anyone serious about the standup bass.

Review: Baxter’s Database of Violin and Bow Makers v3.0 by Edward D. Baxter

2005
AL#84 p.59   BRB7 p.535            read this article
Randy DeBey                                                                                           

▪ The reviewer seems ambivalent about the value of this software, claiming that it is frustrating to use and probably of most value to violinists who are searching for an older instrument and need information about the builders.

Review: Build a Steel String Guitar with Robert O’Brien by Robert O’Brien

2005
AL#84 p.60   BRB7 p.536            read this article
John Calkin                                                                                           

▪ Though the reviewer found fault with this CD-ROM he decides that for the beginner it is better instruction than any book on the subject.

Review: Building an Acoustic Guitar by Dan Erlewine and Todd Sams

2005
AL#84 p.61   BRB7 p.537            read this article
John Calkin                                                                                           

▪ This 70 minute video demonstrates building an acoustic guitar from a Stew-Mac kit, and may be a bit misleading in it’s title.

Quick Cuts: The 13-string Chiavi-Miolin Guitar

2005
AL#83 p.42               read this article
Johannes Labusch   Ermanno Chiavi                                                                                       

▪ Few harp guitars are nylon strung. Fewer still have frets under all the strings. The Chiavi-Miolin is unique, weird, and strangely beautiful. Its goal is to play piano and lute literature without leaving out notes. With 4 photos.

Review: Folk Harp Design and Construction by Jeremy H. Brown

2005
AL#83 p.52   BRB7 p.532            read this article
C.F. Casey                                                                                           

▪ The reviewer notes that this book is more about harp construction theory than about actual construction techniques, but decides that that is where the emphasis should be. He notes that the section of string length vs. string tension is especially useful, and that the book as a whole should have an important place on any harp makers’ reference shelf.

Review: The Guitar of Andres Segovia Hermann Hauser 1937

2005
AL#83 p.53   BRB7 p.533            read this article
Tom Harper                                                                                           

▪ This offering includes a pamphlet by R.E. Brune and Don Pilarz that includes 30 color photos of this guitar, a new full-size blueprint by Brune, a CD of music by Segovia, and a poster. The reviewer concludes that “as a builder of classical instruments I really can’t imagine passing up this compilation.” ‘Nuff said.

Review: Build Your Own Lap Steel Guitar by Martin Koch

2005
AL#83 p.55   BRB7 p.533            read this article
John Calkin                                                                                           

▪ The reviewer notes that luthiers with a modicum of experience may find this book and CD combination lacking in useful new information. However, he enjoyed the reading/viewing and decides that the beginning electric luthier could do much worse than starting with Koch’s work.

Quick Cuts: The Boujmaa Brothers’ Moroccan Lutherie Shop

2005
AL#82 p.54               read this article
Bruce Calder                                                                                           

▪ Take a 2-page, 6-photo journey to a lutherie shop around the world. The ouds and other instruments are vastly different from American Normal and their decoration is almost beyond description.

Review: Aux origins de la guitare: vihuela de mano by Joel Dugot

2005
AL#82 p.63   BRB7 p.530            read this article
Bryan Johanson                                                                                           

▪ The author really, really likes this history of the vihuela. But you have to read it in the French.

Review: The Art of Modern Violin Making by Ricardo B. Flores

2005
AL#82 p.64   BRB7 p.531            read this article
Ken Goodwin                                                                                           

▪ The reviewer enjoyed the CD-ROM format of this teaching unit, noting that the pictures are better than those of a typical book, though navigating around the CD can be irritating at first. Though he hints that there could be more instruction for the money he concludes that a beginning violin maker would find the CD a good investment.

Letter to the Editor: New Violin Family Octet

2005
AL#81 p.5               read this article
Robert-J. Spear                                                                                           

▪ Spear announces the division of the New Violin Family Association (NVFA) from the Catgut Acoustical Society. The CAS then merged with the Violin Society of America. Both the CAS and the NVFA were founded and based upon the work of Carleen Hutchins.

Guitar Swap!

2005
AL#81 p.22               read this article
John Calkin   Steve Kinnaird                                                                                       

▪ Two luthiers decide to build guitars for each other, a straight across trade and with a minimum of rules. Its wonderful fun if the anxiety doesn’t kill you. With 5 photos.

Meet the Maker: Kevin La Due

2005
AL#81 p.26   BRB7 p.286            read this article
Cyndy Burton   Kevin La-Due                                                                                       

▪ A high school teacher coaches entire classes through guitar making. Think kids can’t do it? You’ll be surprised. Some well-made and easy-to-use jigs make the process faster and friendlier, and the use of local wood makes it affordable. Pretty inspirational, and with 21 photos.

Adirondack Spruce Growth Rates and Accessibility

2005
AL#81 p.40   BRB7 p.302            read this article
Ralph Charles                                                                                           

▪ Man! How come red spruce is so expensive? And how come we can’t find a red spruce top as pretty as a piece of Sitka? Friends, if you look at enough old guitars you’ll realize that Adirondack spruce tops were rarely tight-grained, perfectly straight, and perfectly quartered all at the same time. The big stands of Eastern spruce may have been harvested 60 years ago, but forester Charles is here to say that the trees never grew with luthiers in mind. Man has had a random hand in growing red spruces for generations, and so have beavers. Conditions in the woods can change rapidly. It’s wild out there! To amateur naturalists this is exciting stuff. With 5 photos and a chart.

Review: El Tiple Puertorrqueno: Historia, Manual y Metodo by Jose Reyes-Zamora

2005
AL#81 p.58   BRB7 p.527            read this article
C.F. Casey                                                                                           

▪ The reviewer enjoyed this Spanish-only book about the Puerto Rican tiple, which includes the instrument’s history, how to build it, and how to play it.

Review: Left-Brain Lutherie by David C. Hurd, PhD

2005
AL#81 p.59   BRB7 p.528            read this article
R.M. Mottola                                                                                           

▪ The right side of the brain is creative and the left side is analytical. It’s nice when they can work together, but for most of us one side or the other is dominant. The reviewer (who is admittedly left-brained) would like even right-brained luthiers to read this book, though he admits that they may struggle. Intelligent people shouldn’t ignore any source of information that may improve their work. Those who become luthiers to escape from real work may not grasp this concept.

Review: The Bouzouki Book, by Graham McDonald

2004
AL#80 p.58   BRB7 p.525            read this article
John Calkin                                                                                           

▪ The reviewer found this book about several ways of constructing the Irish bouzouki to be up-to-date, useful, and generally well written, though the huge number of typos bothered him.

Review: The Vihuela de Mano and The Spanish Guitar: A Dictionary of the Makers of Plucked and Bowed Musical Instruments of Spain by Jose L. Romanillos and Marian Harris Winspear

2004
AL#80 p.59   BRB7 p.526            read this article
Bryan Johanson                                                                                           

▪ The reviewer gushes about the detail and quality of research that went into the book, as well as the authors’ enthusiasm for their subjects.

Review: Setar Construction, An Iranian Musical Instrument, by Masser Shirazi

2004
AL#77 p.64               read this article
Marc Connelly                                                                                           

▪ The setar is a “long-necked, fretted, 3-or 4-stringed instrument with a gourd-shaped soundbox,” (reviewer’s description). The reviewer loves this book about how to construct the setar, admires it for its detail and concision, and enjoys the fact that it is printed in both English and Persian script (in 2 sections, not both at once).

Stalking the Wild Pine Rosin

2004
AL#78 p.56               read this article
Dave Raley                                                                                           

▪ The pine woods are full of leaky trees that want you to make rosin varnish. The author tells how to harvest it and how to make an electric tin can kiln to melt rosin into a form that can be dissolved in alcohol. With 7 photos and 6 diagrams.

They Eat Linseed Oil, Don’t They?

2004
AL#77 p.28   BRB7 p.160            read this article
Stephen Frith                                                                                           

▪ Frith travels to Austria to mill spruce with Tobias Braun, and suggests that other luthiers might like to treat themselves to such a holiday. See the world, spend time in the outdoors, and collect some European spruce at a remarkable price! With 9 photos of sawmill mayhem to whet your appetite.

Meet the Maker: Do Viet Dung

2003
AL#74 p.40   BRB7 p.66            read this article
Andy DePaule   Do Viet-Dung                                                                                       

▪ A common, if unspoken, theme that runs through AL is how different humans are around the world even though they may share the same work or obsessions. Vietnamese luthier Dung is a prime example. Things are different over there. May we keep sharing, but may we all remain different! With 9 photos.

Some Traditional Vietnamese Instruments

2003
AL#74 p.43   BRB7 p.69            read this article
Andy DePaule                                                                                           

▪ A short discussion that includes the Dan ty ba, Dan guyet, Dan bau, Dan tran, and Dan tam thap luc. With 5 photos.

Review: Getting a Bigger Sound: Pickups and Microphones for Your Musical Instrument by Bart Hopkin with Robert Cain and Jason Lollar

2003
AL#74 p.60   BRB7 p.523            read this article
Fred Carlson                                                                                           

▪ The reviewer likes this book a lot. It is more concerned with explaining how instrument amplification works and how one might build hisher own gear than in reviewing the many commercial units that are available.

Review: A History of the Lute from Antiquity to the Renaissance by Douglas Alton Smith

2003
AL#73 p.60   BRB7 p.522            read this article
Bryan Johanson                                                                                           

▪ The reviewer pronounces this book to be “a massive achievement to which the reader can return again and again for information, insights, and pleasure.” A pretty good indication that he found it useful and valuable.

In Memoriam: Francois Pistorius

2003
AL#73 p.3   BRB7 p.7            read this article
Rodney Stedall   Stuart Deutsch   Larry Baeder   Anne Ludwig                                                                               

▪ South African luthier Pistorius died way too young, but don’t we all. Here a few of his friends remember him.

Waterborne Solutions

2003
AL#73 p.24               read this article
Mike Doolin   John Greven                                                                                       

▪ Finding good water-based instrument finishes becomes more important as luthiers (and various state and federal government agencies) become more health conscious. The authors are both Portland people, and by trying different materials and application techniques and then combining their discoveries they have made big leaps toward finding the perfect alternative to lacquer. With 9 photos.

This article has been nominated as one of the Guild’s fifty best articles published before 2010.

A Contrabass for the Pugo Brothers

2003
AL#73 p.34               read this article
Juan-Carlos Morales   John-L. Walker                                                                                       

▪ The struggle toward lutherie can be really difficult in countries where the people honor the old ways and mistrust anything new. The Pugos in this little story the fought indifference and fear of their Ecuadorian countrymen to become makers of violins and other instruments.

Review: So You Want to Make a Double Bass; To Make a Double Bass; Double Bass Making

2002
AL#71 p.66   BRB6 p.540            read this article
David Riggs                                                                                           

▪ The reviewer turned his pages into a gathering of all the chief sources of useful bass making information, finding that in the end “there is a very deep well of information not in print.”

In Memoriam: George Majkowski

2002
AL#72 p.3   BRB6 p.397            read this article
Jay Hargreaves                                                                                           

▪ Remembering George Majkowski (1929-2002) who began his career at IBM, later turned his attention to building harpsichords and guitars, and served as one of Richard Shneider’s assistants.

The Case for KTM

2002
AL#72 p.22               read this article
Michael Turko                                                                                           

▪ A number of well-known luthiers have switched to this finish, including the speed-builder John Greven. In the author’s experience it’s quick, easy, rivals nitro lacquer in appearance, and is non-toxic, a winning combination for sure. With 3 photos.

The Right CAD Curve

2002
AL#72 p.50   BRB6 p.420            read this article
David Golber                                                                                           

▪ It’s the difference between a spline and a Bezier curve, but we’re not geeky (read smart) enough to understand it. Bezier curves are good and splines aren’t, but not all CAD software supports their use. Uses 8 plots to make the difference more understandable.

Review: Dan Erlewine Lutherie Videos

2002
AL#72 p.54   BRB6 p.541            read this article
John Calkin                                                                                           

▪ Eight new videos (with four already on DVD) from the inventor of video lutherie instruction. The reviewer obviously likes them and believes they will speed the learning curve for anyone interested in guitar repair and maintenance.

In Memoriam: Frederick Dickens

2002
AL#71 p.3   BRB6 p.348            read this article
Pauline Dickens   James Jones   Graham Caldersmith                                                                                   

▪ Dickens did R&D work at Bell Labs in his day job, and was among the first to look at the functioning of the guitar from a mathematical vantage point. He was known for his inquisitive mind and willingness to share his knowledge with others.

Calculating Soundbox Volume

2002
AL#70 p.52   BRB6 p.347            read this article
Dave Raley                                                                                           

▪ There are a number of reasons you might wish to know the volume of an instrument. Raley uses a spreadsheet program and some careful measuring to determine this figure.

Battery-Powered Instrument Amplifiers

2002
AL#69 p.22   BRB6 p.296            read this article
Joseph Ennis                                                                                           

▪ Build an amp that matches the resonance of your acoustic instrument. Build it into the instrument if you like. Ennis offers some math, some circuitry, and some advice to beginners who want the most portable amps for their instruments. With 9 photos and a circuit diagram.

Kit Review: Musicmaker’s Regency Harp

2002
AL#69 p.48   BRB6 p.500            read this article
John Calkin                                                                                           

▪ The author discovers that this kit provides a harp fit for a professional musician. The finished harp is a powerful instrument with a wide range, and though the kit is pricey it is easy to build. The process of lace finishing is described in detail. With 17 photos.

Letter to the Editor: Hurdy-Gurdy

2001
AL#68 p.6               read this article
Wilfried Ulrich                                                                                           

▪ Wilfried has made a lot of real hurdy-gurdies. He says Americans tend to have a cartoonish view of the venerable drehleir. They ought to educate themselves and have more respect for a highly developed classical instrument. He eventually authored Plan#49 for us.

Constructing an Under-Saddle Transducer

2001
AL#68 p.50   BRB6 p.314            read this article
R.M. Mottola                                                                                           

▪ Yes, you can make your own transducer pickups and save big bucks. Here’s how. Including 6 photos and 2 diagrams.

Letter to the Editor: Defending Larry Sandberg’s Book

2001
AL#67 p.3               read this article
Harry Fleishman                                                                                           

▪ Harry Fleishman leaps to the defense of Larry Sandberg. He feels that Ben Hoff was too harsh in his criticism of Larry’s book The Acoustic Guitar Guide.

Review: Dangerous Curves: The Art of the Guitar by Darcy Kuronen

2001
AL#67 p.60   BRB6 p.539            read this article
John Calkin                                                                                           

▪ This is a picture book of guitars that the Museum of Fine Arts, Boston, included in a show of artfully conceived instruments. The reviewer loves the style of the photography but gives the project a so-so evaluation.

Review: Music, Cognition, and Computerized Sound; An Introduction to Psychoacoustics edited by Perry R. Cook

2001
AL#67 p.60   BRB6 p.539            read this article
R.M. Mottola                                                                                           

▪ The luthier who has no interest in how human beings hear and interpret sound hasn’t really come to terms with instrument making at all. The reviewer likes this textbook that takes in this subject, though it sounds like heavy going.

Conical Fretboard Radiusing Jig

2001
AL#66 p.28               read this article
Mike Nealon                                                                                           

▪ The author offers plans for a jig that uses a router to shape the surface of a conical fretboard. With 11 photos and 5 diagrams.

Wet Inlay

2001
AL#66 p.38   BRB6 p.194            read this article
John Calkin                                                                                           

▪ Inlay advice using epoxy and Inlace mixed with various substances to fill the routed holes, rather than a solid such as MOp.With 8 photos.

Kit Review: Musicmaker’s Hurdy-Gurdy

2001
AL#66 p.50   BRB6 p.496            read this article
John Calkin                                                                                           

▪ Calkin barely knew what a hurdy-gurdy was when he began this kit, and afterwards he still wasn’t too sure. Not that it was the kit’s fault. The hurdy-gurdy (a mechanical fiddle) has nearly vanished from the musical scene and few details are to be found outside of museum blueprints. The kit turned out pretty good, though it makes no attempt at historical accuracy. Fun stuff, with 15 photos.

Review: Custom Guitars: A Complete Guide to Contemporary Handcrafted Guitars edited by Simone Solondz

2001
AL#66 p.55   BRB6 p.536            read this article
Benjamin Hoff                                                                                           

▪ The reviewer finds this book too expensive and too incomplete to recommend on any level other than for the nice photography.

Review: Custom Knifemaking by Tim McCreight

2001
AL#66 p.57   BRB6 p.538            read this article
John Calkin                                                                                           

▪ The reviewer decides that if you want to make your first knife you just about can’t go wrong with this book.

Review: Installing Transducer Pickup Systems by Dan Erlewine

2001
AL#65 p.63   BRB6 p.536            read this article
John Calkin                                                                                           

▪ The reviewer recommends this video about installing under-the-bridge flattop guitar pickups.

Letter to the Editor: Sloane Bass Tuners

2001
AL#66 p.3               read this article
Frederick-C. Lyman-Jr.                                                                                           

▪ Longtime GAL member Fred Lyman tells of the conversation that got Irving Sloane interested in making bass machines. Fred also gives a quick overview of his life in lutherie and wishes more lutherie info had been available to him in his youth.

Letter to the Editor: Guitar Dimensions and Harmonics

2001
AL#66 p.3               read this article
Joe-D. Franklin                                                                                           

▪ Joe Franklin believed that the secret to good sound in classical guitars was the exacting relationship between interior dimensions and the wavelengths of sound.

In Memoriam: Robert Lundberg

2001
AL#66 p.5   BRB6 p.165            read this article
Jonathon Peterson   Jean Gilman   Lora Lundberg Schultz   Dorothy Bones   Ben Lundberg   Michael Yeats   Gunter Mark   Cyndy Burton   Jeffrey R. Elliott                                                           

▪ Lundberg was perhaps the foremost lute maker in America, a champion of building lutes in an historical manner, a longtime member and supporter of the GAL, and author of the landmark book Historical Lute Construction. Family and friends take a deep look at the significance of his life and work. With 10 photos.

This article has been nominated as one of the Guild’s best articles published before 2010.

Opinion

2000
AL#63 p.64               read this article
Keith Hill                                                                                           

▪ Hill suspects that many luthiers pursue their craft to please the eye more than the ear because that is what they know how to do, and also that the road of pure science cannot lead them back to the straight path.

Review: Archtop Guitar Master Class Series Part 1: Focusing on Bridges and Tailpieces by Bob Benedetto

2000
AL#64 p.56   BRB6 p.534            read this article
John Calkin                                                                                           

▪ The reviewer finds this video to be more opinion than explanation, and that the limited amount of information included doesn’t justify its purchase.

Review: The Art of Violin Making by Chris Johnson and Roy Courtnall

2000
AL#64 p.56   BRB6 p.534            read this article
Michael Darnton                                                                                           

▪ Though the reviewer finds that this book shares a few of the same limitations as all other violin construction books, in the end “this is a great book (that) for the most part completely eclipses every previous violin making text.”

In Memoriam: David Rubio

2001
AL#65 p.5   BRB6 p.204            read this article
Paul Fischer                                                                                           

▪ Born David Joseph Spinks, Rubio was an Englishman who adopted his Spanish nickname. He became a well-known maker of classical guitars, early instruments, and violins.

Review: From Harp Guitars to the New Hawaiian Family: Chris J. Knutsen, History and Development of the Hawaiian Steel Guitar by George T. Noe and Daniel L. Most

2000
AL#62 p.62   BRB6 p.531            read this article
Jonathon Peterson                                                                                           

▪ The reviewer recommends this book that traces the history of harp and Hawaiian guitars, focusing sharply of the life and work of Knutsen.

Review: Taylor on Guitars: New Neck Designs by Bob Taylor, Taylor Guitars

2000
AL#62 p.63   BRB6 p.532            read this article
Woody Vernice                                                                                           

▪ This video is used to explain the design of the new Taylor neck. The reviewer likes it as more than the selling aid that Taylor envisioned, that for him it opened the discussion for the future role of the handbuilder.

In Memoriam: Nicholas Von Robison

2000
AL#63 p.3   BRB6 p.88            read this article
Tim Olsen                                                                                           

▪ Nick was a multi-faceted friend of the GAL and instrumental in its on-line existence. He was a frequent AL author, especially on the subject of botany.

Nine Electric Guitar Construction References

2000
AL#63 p.50               read this article
John Calkin                                                                                           

▪ The best of these books and videos should put you well on the way to making professional quality electric instruments. You should know about the others, too, if only so you know to avoid them.

Product Reviews: Livos Oil Finish

2000
AL#63 p.56   BRB6 p.471            read this article
Fred Carlson                                                                                           

▪ Mr. Fred spins a tale about new finish products, then reviews the orange oil-based finish products from Livos.

Review: Sunburst Finishing by Dan Erlewine and Don MacRostie

2000
AL#63 p.61   BRB6 p.533            read this article
John Calkin                                                                                           

▪ The reviewer admires this video as a look at the real world of guitar finishing, where standards are high and problems are bound to arise.

Review: Guitar Finishing Step-by-Step by Dan Erlewine and Don MacRostie

2000
AL#61 p.62   BRB6 p.530            read this article
John Calkin                                                                                           

▪ The reviewer recommends this book to anyone who wishes to spray lacquer, but especially to those who wish to recreate many of the electric guitar finishes the factories have put out.

Review: The Player’s Guide to Guitar Maintenance by Dave Burrluck

2000
AL#61 p.62   BRB6 p.530            read this article
Dave Zogg                                                                                           

▪ The reviewer decides that this very pretty book should serve all but the tool-disabled to care for their guitars.

Review: Spray Finishing Basics by Dan Erlewine and Don MacRostie

2000
AL#61 p.63   BRB6 p.531            read this article
John Calkin                                                                                           

▪ The reviewer likes this video for its good advice to luthiers who have no access to professional equipment. Those who already have a booth and good spray gear will also benefit from the instruction. The 2 jobs involved are both electric guitars finished in colors.

Router Jig for Shaping a Neck

2000
AL#62 p.46               read this article
Mike Nealon                                                                                           

▪ Nealon’s jig allows a router to fully shape the neck behind the heel, including the diamond on the back of the headstock. With 15 photos and 6 diagrams.

Kit Review: The Riverboat Banjo from Musicmaker’s Kits

2000
AL#62 p.50   BRB6 p.490            read this article
John Calkin                                                                                           

▪ This is the first of a new semi-regular column. The Riverboat features massive amounts of wood to paint or carve, as well as a head adjustment system that eliminates all of the traditional banjo hardware. Calkin likes it. With 7 photos.

Meet the Maker: Henry Stocek

2000
AL#62 p.59   BRB6 p.66            read this article
John Calkin   Henry Stocek                                                                                       

▪ Stocek began a small business to supply the guitar trade with pickguard stock that resembles pre-war celluloid. He loves old Martins, bluegrass, and “the right look,” and all three have altered his life. With 2 photos.

Reinventing the Celluloid Tortoise

2000
AL#61 p.17   BRB6 p.10            read this article
Henry Stocek                                                                                           

▪ Stocek loves vintage Martins, and resupplying the world with pre-war style pickguard and binding stock has become his passion. His story is proof that recreating the past can be much harder than simply getting along with the present. It’s also the story of how celluloid is made.

This article has been nominated as one of the Guild’s best articles published before 2010.

The Acoustical Characteristics of the Concert Cymbalom

2000
AL#61 p.46               read this article
Janos Pap                                                                                           

▪ The cymbalom is the mother of hammered dulcimers. It may also be the mother of the piano. It’s also a complex animal to build, though building it isn’t the focus here. What can be learned by rolling an instrument into an acoustics laboratory? We’re still not sure. With 17 charts, three drawings, and a photo of the beast in question.

Review: Mandolin Magazine

1999
AL#60 p.48   BRB5 p.485            read this article
Randy Allen                                                                                           

▪ Mandolin magazines come and go. The small market must cramp their longevity. Then reviewer likes this latest contender, and if it’s as good as he says we all hope it will hang around for awhile.

Review: Assembling a Solidbody Electric Guitar by Dan Erlewine

1999
AL#60 p.48   BRB5 p.485            read this article
John Calkin                                                                                           

▪ All it takes to slap together a parts guitar is a screwdriver and some common sense, right? Way wrong! The reviewer decides that this video should be figured into the budget of every first-time guitar assembler.

Review: Acquired of the Angels by Paul William Schmidt

1999
AL#59 p.62   BRB5 p.482            read this article
Linda Manzer                                                                                           

▪ The reviewer finds this book about the life and work of John D’Angelico and James D’Aquisto “is a wonderful and carefully prepared book,” though perhaps not free of errors.

Review: Advanced Inlay Techniques by Larry Robinson

1999
AL#59 p.63   BRB5 p.478            read this article
John Calkin                                                                                           

▪ Robinson not only continues to widen the scope of instrument inlay, he invites others to come along and shows them how to do it. The reviewer is very enthusiastic about this video tape.

Review: Research Papers in Violin Acoustics, 1975-1993 edited by Carleen Hutchins and Virginia Benade

1999
AL#59 p.63   BRB5 p.483            read this article
David Hurd                                                                                           

▪ The reviewer finds that the expense and daunting technical nature of this two-volume set should not prevent individuals from acquiring them and wading in. He admonishes that one never knows what will come out of such reading, but that nothing will come of it if it isn’t attempted.

Review: Shoptalk 5 by Todd Sams, Don MacRostie, Dan Erlewine

1999
AL#59 p.65   BRB5 p.484            read this article
John Calkin                                                                                           

▪ The reviewer likes this instruction video that is ultimately intended to sell product, and finds that the instruction far outweighs the salesmanship angle of this Stew-Mac tape.

Review: Ring the Banjar! The Banjo in America from Folklore to Factory, by Robert Lloyd Web

1999
AL#58 p.55   BRB5 p.480            read this article
Woody Vernice                                                                                           

▪ In 1984 the MIT museum sponsored an exhibition of banjos built predominantly in and around Boston. This book is sort of the catalog of that show, complete with two essays about the history of the banjo and the Bostonians who built the factories. The reviewer decides that if you like the open-back banjo you’ll enjoy this book.

Review: Making and Playing Musical Instruments by Jack Botermans, Herman Dewit, and Hans Godefroy

1999
AL#58 p.55   BRB5 p.480            read this article
David Riggs                                                                                           

▪ The reviewer likes this book about building assorted folk and flea market instruments, though he doesn’t expect serious luthiers to have much use for it. Not unless they like to kick back with a tin can banjo, that is. A fun book for unserious moments.

Review: Violin Making—Live! Watch Me Make a Cello, Step-by-Step by Henry Strobel

1999
AL#58 p.56   BRB5 p.481            read this article
John Calkin                                                                                           

▪ The reviewer finds this set of three video tapes (about 6-hrs. worth) to be roughly made but perhaps invaluable to the learn-at-home crowd.

Review: Acoustics of Wood by Voichita Buchur

1999
AL#57 p.62   BRB5 p.479            read this article
Nicholas-Von Robison                                                                                           

▪ The reviewer finds that this technical tome about how wood vibrates may have a lot of value to any luthier who wants to work out the math, but that its high price will make it unavailable to most.

Review: Tambura by Dusan Brankov

1999
AL#57 p.63   BRB5 p.480            read this article
John Calkin                                                                                           

▪ The reviewer finds that this book will guide any luthier through the construction of this instrument that is sort of a simple guitar from Yugoslavia.

Searching for Blue Significance

1998
AL#56 p.50               read this article
John Calkin                                                                                           

▪ Scott Chinery had 22 luthiers build 22 archtop guitars, all of them blue. Why? And why did the Smithsonian Institute decide to display them? And then throw in a big shindig for luthiers and guitar nuts alike? Calkin treks to Washington D.C. in the name of the Guild to figure out what all the fuss is about and discovers that hardly anything is what it seems. With 3 photos.

Review: How to Repair Your Diatonic Accordion or Concertina by John Townley and Jehan Paul

1998
AL#55 p.65               read this article
John Calkin                                                                                           

▪ The reviewer enjoyed this video. It is iconoclastic and hip, and should help anyone keep their squeezebox wheezing healthily. Instruction should always be this fun.

Review: 1996 Luthier’s Art; 1997 Luthier’s Art

1998
AL#55 p.65               read this article
Woody Vernice                                                                                           

▪ These are two picture books of guitars made by luthiers who attended the Healdsburg Guitar Festivals in 1996 and 1997. The reviewer finds that the pictures are too little, but that luthiers looking for new ideas may browse through them endlessly.

In Memoriam: Irving Sloane

1998
AL#55 p.3   BRB5 p.213            read this article
Roger Sadowsky                                                                                           

▪ Sadowsky remembers Irving Sloane as a Renaissance man, and surely just the work he did in the lutherie field would qualify him for that. He designed and produced tuning machines, a slew of hand tools, and three instruction books that no doubt continue to be the worthy introduction many of us have to the world of lutherie. He was also Sadowsky’s father-in-law. This small remembrance is as nice as any man has had.

A Tale of Two Schools

1998
AL#53 p.26               read this article
Fred Carlson                                                                                           

▪ Carlson attended Charles Fox’s original guitar making school in 1975, and nearly a generation later reunited with Fox at his new facility, the American School of Lutherie. Basic to Fred’s story is the manner in which the times, two people, and guitar making have changed in 20-odd years. The times, indeed, are a’changin’.